공포 영화 스크립트 작성하기: 10가지 필수 단계

### 공포 영화 대본 작성 10단계
* 🎬 '훅'은 **자동차 사고나 소름 끼치는 사건 등 영화의 분위기와 긴장감을 조성하는 오프닝 장면**을 말합니다.
* 🧟 '약점 또는 결함'은 **캐릭터의 결점을 소개**하여 공감과 공감을 불러일으킵니다.
* 😱 '두려움'은 주인공이 직면하거나 극복해야 하는 **원초적인 두려움, 공포증 또는 트라우마**를 의미합니다.
* 🚪 "탈출 금지"는 **캐릭터가 쉽게 도망칠 수 없는 상황**에 놓이게 합니다.
* 👻 '전희'에는 **가짜 점프 공포와 오싹한 상황**을 연출하여 긴장감을 조성하는 것이 포함됩니다.
* 👹 대본 중간에 등장하는 **'악의 공격'**은 관객에게 그 존재의 진정한 공포를 보여줍니다.
* 🕵 '조사'는 **주인공이 악의 세력에 대해 더 많은 것을 알아가기 시작하는 단계**입니다.
* 👊 '최종 결전'은 캐릭터가 악에 맞서는 클라이맥스로, 일반적으로 **두려움에 맞서거나 자신의 결점을 극복하는 장면**입니다.

알렉스 폴이 훅 만들기, 캐릭터의 결함, 공포, 마지막 결전 등 공포 영화 대본을 작성하는 10단계에 대해 설명합니다.

what's up guys, my name is Alex Paul, and today we are gonna go over how to make a horror movie, starting with the script. So, the list I'm gonna go over is basically just a traditional structure of how you would write a horror movie, and I think this structure was super helpful for me when I was getting started with the writing process. It helped me organize my thoughts into a timeline that made sense. This 10-step list comes from a blog post, which I will link in the description box below. First on the list is the hook. You want to start your movie with something that sets the tone and immediately causes the viewer to feel the suspense. Examples of this are the father killing his daughter in the beginning of the Evil Dead remake, the introduction of Ed and Lorraine Warren in the Conjuring movie with the Annabelle doll, or the countless horror movies that start with a car crash. It is definitely a trope in horror movies that every horror movie starts with a car crash, and it's kind of true. There are a

ton of horror movies that start with a literal car crash. Second on our list is a weakness or a flaw. After the first suspense sequence or hook, we want to start introducing our characters' flaws. This will make us feel sympathy or relate to what's going on in our store. Examples of this are Samantha struggling financially at the beginning of House of the Devil, or Justine feeling out of place like she doesn't fit in at the beginning of Raw, or Kaylee being haunted by her past at the beginning of Oculus. All of these elements definitely make us feel for our main character and usually have some relatable qualities to them. This can also be something they overcome later in our story. Number three on our list is the fear. At this point in our story, we introduce a fear that our main character is going to either overcome or have to face later in the movie. This is similar to the flaw but usually has more to do with a primal fear, a phobia, or a trauma in their path that causes them to be afraid of certain

situations. A perfect example of this is Justine's fear of meat in raw. She's been a vegetarian her whole life, and now she is being initiated by eating raw animal parts. This definitely comes into play later in our story and has a huge payoff at the end that I will not spoil here, even though I want to. Step four in writing a horror script is to create no escape. No escape means we have isolated our main character or characters in a situation they cannot easily run away from. This is the hotel in The Shining, the cabin in Evil Dead, or the house that your family has just sunk their life savings into in every other horror movie. When you have no escape in a horror movie, it allows the viewer to forgive some of the stupid decisions that our main character is going to make. It's the why don't they just leave? Why don't they run out the front door? Why don't they just call someone to come save them? You have to create a situation where that doesn't seem possible, and the viewer can

feel that too. Number 5 on our list is foreplay. Foreplay can be some of these jump scares that turn out to be absolutely nothing. It's a creepy situation and maybe you get a shriek or a scream, but it turns out that the real horror is still coming. There are tons of examples of jump scares done very poorly, but this is an opportunity to really test your skill creating a scare that's not gonna piss off the audience, but still gets them to feel that tension in your story. There are a lot of examples of this type of scare coming early in the movie. It's basically something that happens in every. Number 6 on the list is evil attacks towards the middle of your script. You're going to want the evil force, whatever that may be if it's a demon or a ghost or a murderer depending on your story. You want to show the audience how evil that entity or that character can be. This is when the characters start to be killed off one by one. The Paranormal Activity starts to

heighten, and people start to believe that the ghost is real. This is when you can really drive home how scary this thing is and how evil it can be. In Bird Box, it's when Mallory's sister drives straight into oncoming traffic. Number seven on our list for writing a horror script is investigation, and this is when our main character starts to investigate. Whether it's by talking to a priest, talking to a professor, looking in books, or learning more about what's going on around them. In horror movies, this does not literally usually mean investigation, but sometimes it's more of a plot point where they sort of stumble into new information. In Hereditary, it's when our main character starts to look through her mother's things and starts making connections with all of the old people that showed up to her funeral. Be careful here because it's really easy to go overboard and come off as cheesy when you're trying to explain the evil thing. Try to show the audience rather than tell them everything. Number eight is the

final showdown or the confrontation. This is when all hell breaks loose, and you can go as crazy as you want to. This is the height of the action. Our character is going to face off with evil. Usually, we want our character to be facing their fear or overcoming their flaw while simultaneously confronting the monster, the ghost, or the murderer. In Hereditary, this is when the mom starts to sort of lose control. In Annihilation, this is when we have reached the lighthouse, we're inside, and we're about to face off with whatever this creature is. Remember to tie in those fears and flaw into this final battle. Number nine is the aftermath. This can either be a really happy moment or a moment that leaves us feeling like evil has won, depending on how you want to end your movie. This is the case in Raw when we're left feeling raw or in Bird Box when we're left feeling super happy because we've reached a utopia. Finally, number 10, and this is probably my favorite if it's done well, and that is evil lurks. This is that

twist ending at the end of the movie that makes you think that there still might be something evil out there. It's usually a setup for a sequel, but not always. Anyways, guys, thanks for watching. Again, the link to the blog post I've been going off is in the description box below, so if you want to see it in writing, that's where it'll be. Let me know what you want to see next because I can make this a series if it's something you're interested in, and I'll see you in the next one. [Music]

10 Steps To Writing a Horror Script - With Examples

Alex Fahl

공포 영화 스크립트 구조화하기

공포 영화 대본 작성의 핵심은 충격적인 사건이나 끔찍한 만남과 같이 분위기를 조성하고 긴장감을 조성하는 강력한 훅으로 시작하는 것입니다.

훅 이후에는 재정적 어려움이나 소외감 등 관객이 공감할 수 있도록 주인공의 약점이나 결점을 소개하는 것이 중요합니다.

그런 다음 대본은 원초적인 두려움, 공포증 또는 과거의 트라우마 등 캐릭터의 두려움을 표현하는 데 집중하여 스토리의 긴장감과 기대감을 더해야 합니다.

주인공을 끔찍한 상황에 빠뜨리려면 "탈출할 수 없다"는 느낌을 주는 것이 중요합니다.

가짜 점프 공포와 같은 전희를 사용하면 긴장감을 효과적으로 조성할 수 있습니다.

대본의 중반부에 등장인물이 죽임을 당하는 등 본격적인 악의 공격을 도입하면 공포가 더욱 강렬해집니다.

호러 스크립트 작성의 핵심 단계

"버드 박스"와 "유전"에서 볼 수 있듯이 공포 대본의 초반에는 주인공의 평범한 일상을 소개하고 정상적이라는 느낌을 주는 것이 중요합니다.

"버드 박스"에서 맬러리의 여동생이 마주 오는 차에 치이는 순간처럼 악의 존재에 대한 공포와 믿음을 심어주는 것이 대본의 중요한 전환점입니다.

주인공이 두려움에 맞서거나 결함을 극복하는 악의 세력과의 마지막 결전과 대결은 "유전"과 "파멸"에서 볼 수 있듯이 성공적인 공포 시나리오의 핵심적인 부분입니다.

영화 속 모호한 결말: 속편을 위한 무대 설정하기

일부 영화는 악의 여운이 남을 가능성을 암시하는 반전으로 끝을 맺으며 속편의 무대를 마련하기도 합니다.

모호한 결말을 사용하는 것은 청중의 참여를 유도하기 위한 일반적인 스토리텔링 기법입니다.

서면 형식을 선호하는 분들을 위해 설명에 원본 블로그 게시물 링크가 제공됩니다.