at Stage 5 you'll discover how identity is constructed, self-offering, realize that your values are not terminal but they are instrumental to achieving a world that you like, in aesthetics that you prefer. Yeah, and the more you understand this, the more you get agency

over how your identity is constructed and you realize that identity and interpersonal interaction is a costume, and you should be able to have agency over that. Question, right? It's useful to Via costume, it tells something to others and it allows to interface in roles, but being locked into this is a big

limitation. The word costume kind of implies that it's fraudulent in some way. Is costume a good word for you, like to present ourselves to the world in some sense? I learned a lot about costumes at Burning Man. Before that, I did not really appreciate costumes and saw them more as

uniforms, like wearing a suit if you are working in a bank, or if you are trying to get startup funding for uh, from a VC in Switzerland, right? Then you dress up in a particular way, and this is mostly to show the other side that you are

willing to play by the rules and you understand what the rules are, but um there is something deeper. When you write Burning Man, your costume becomes self-expression, and there is no boundary to the self-expression. You're basically free to wear what you want to express

other people, what you feel like this day, and uh what kind of interactions you want to have. Is the customer kind of projection of uh, of Who You Are? That's very hard to say because the costume also depends on what other people see in the costume and this

depends on the context that the other people understand and you have to create something if you want to that is legible to the other side and that means something to yourself do we become prisoners of the costume because everybody expects us some people do but um I think that once you realize

that you we are costume at Burning Man a variety of costumes realize that you cannot not wear a costume yeah right basically everything that you wear and present to others is something that is to some degree in addition to what you are deep inside so this stage in

parentheses you put full adult Karma wisdom why is this full adult why would you say this is full and why is it wisdom it does allow you to understand um why other people have different identities from yours and it allows you to understand that the difference

between people who vote for different parties and might have very different opinions and different value systems is often the accident of where they are born and what happened after them after that to them and what traits they got before they were born and at some point

you realize the perspective where you understand that everybody could be you in a different timeline if you just flip those bits how many costumes do you have I don't count but in more than one yeah of course how easy is it to do costume changes throughout the day

it's just a matter of energy and interest when you are wearing your pajamas and you switch out of your pajamas into say a work shirt and pants you're making a costume change right and if you are putting on the gown you're

making a costume change, you could do the same with personality. You could, if that's what you're into, there are people who have multiple personalities for interaction in multiple roles, right? So if somebody works in a store and you put up a storekeeper personality when you're

working, when you're presenting yourself at work, you develop a step personality for this and the social persona for many people is, in some sense, a puppet that they are playing like a marionette. And if they play this all the time, they might forget that there is something

behind this, just something what it feels like to be in your skin. And I guess it's very helpful if you're able to get back into this. And for me, it's the other way around, is relatively hard for me, it's pretty hard to learn how to play

consistent social roles. For me, it's much easier just to be real, or not real, but to have a one costume. No, it's not quite the same. So basically, when you are wearing a costume at Burning Man and say you are an extraterrestrial Prince,

um, there's something where you are expressing, in some sense, something is closer to yourself than the way in which you hide yourself behind a standard closing when you go out in the city in the default world. And so this costume that you're wearing at Burning Man allows you to express

more of yourself and uh you have a shorter distance of advertising to people what kind of person you are, what kind of interaction you would want to have with them. And so you get much earlier into media Express. And I believe it's regrettable that we do not use the

opportunities that we have this custom-made clothing now to wear costumes that are much more stylish, that are much more custom-made, that are not necessarily part of a fashion in which you express which milieu you're part of and how up-to-date you are, but you also

express how you are as an individual and what you want to do today and how you feel today and what you intend to do about it. Well, isn't it easier now with in the digital world to uh to explore different costumes? I mean, that's the kind of idea with virtual

reality, that's the idea even with Twitter in two-dimensional screens, you can you can swap all costumes, you can be as weird as you want. It's easier for Burning Man, you have to like order things, you have to make things, you have to it's more effort to it's better if

you make them yourselves, sure, but it's just easier to do digitally, right? It's not about easy, it's about how to get it right, and for me the first Burning Man experience, I got adopted by a bunch of people in Boston who directed me to Burning Man and we

spent a few weekends doing costumes together and that was an important part of the experience where the camp bonded, that people got to know each other and we basically grew into the experience that we would have later. So the Extraterrestrial Prince is based on a

true story. Yeah. [Music] I can only imagine what that looks like. Yosha.

The self shapes reality: We're all wearing a costume | Joscha Bach and Lex Fridman

Clips from the Lex Fridman podcast. Visit the main channel for full conversations and other videos.

Lex Clips

5단계의 아이덴티티 구축 및 대행사

정체성이 어떻게 구성되는지, 그리고 그 가치가 원하는 결과를 달성하는 데 중요한 역할을 하는지 알아보세요.

정체성과 대인 관계는 하나의 코스튬으로 간주되며, 정체성보다 기관이 강조됩니다.

'코스튬'이라는 용어의 적절성과 그 의미에 대해 토론합니다.

의상은 사회적 규칙을 준수하려는 의지를 보여주는 수단입니다.

버닝맨의 코스튬: 자기 표현과 상호작용

버닝맨 코스튬은 자유로운 자기 표현의 한 형태입니다.

의상은 타인의 인식과 맥락에 영향을 받는 자아의 투영물입니다.

사회적 기대치로 인해 코스튬의 포로가 될 가능성이 있습니다.

자신의 다양한 모습을 표현하는 의상을 입는 것은 필연적인 일입니다.

다양한 정체성과 관점 이해하기

타인의 다양한 정체성과 출생과 양육의 영향을 이해합니다.

다양한 타임라인과 관점의 가능성을 인정합니다.

하루 중 의상을 갈아입는 빈도에 대해 논의합니다.

의상이 바뀌는 일상적인 행동이 성격 변화로 확장됩니다.

다양한 역할에 맞는 개성을 개발하고 자신의 진정한 자아를 잃어버릴 가능성이 있습니다.

일관된 사회적 역할과 진정성을 유지하는 것에 대한 개인적인 경험.

버닝맨 코스튬은 일상적인 복장에 비해 더 진정한 자신을 표현하는 수단입니다.

현재의 패션 트렌드를 뛰어넘어 더욱 스타일리시하고 개인화된 의상을 제작할 수 있는 잠재력이 있습니다.

디지털 세계에서 다양한 의상을 쉽게 탐색할 수 있는 것과 버닝맨의 육체적 수고를 덜 수 있습니다.

버닝맨에서 협업 의상을 제작하는 과정의 중요성.

The self shapes reality: We're all wearing a costume | Joscha Bach and Lex Fridman

The self shapes reality: We're all wearing a costume | Joscha Bach and Lex Fridman

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