효과적인 음악 연습 방법 및 원칙

### 음계와 코드 마스터하기: 재즈 즉흥 연주의 기초
* 🎹 "음계는 특정 음을 중심으로 특정 규칙에 따라 배열된 음표의 연속입니다. 우리가 흔히 다루는 가장 기본적인 음계는 **메이저 음계**입니다."
* 🎼 "음계를 이해한다는 것은 그 음계가 왜 그런 소리를 내는지 아는 것을 의미합니다. 이를 알기 전에 가장 먼저 해야 할 일은 **소리와 반응을 구분하는 것**이라고 할 수 있습니다."
* 🎵 "12음계를 연습한다는 것은 **비슷한 방식으로 만들어진 12개의 음계**를 연주하는 것을 의미하며, 음악 이론에서 매우 중요합니다."
* 🎶 "재즈 즉흥연주에서는 음계와 코드를 아는 것만으로는 충분하지 않습니다. **이를 자신의 것으로 만들고 좋은 연주 습관**을 길러야 합니다."
* 📚 "숙제는 **언급된 음계와 화음을 펼쳐서 연주하고 녹음**한 후 업로드하는 것입니다. 이 과정을 부지런히 반복하면 음계와 화음을 마스터할 수 있습니다."
* 🏆 "연주를 잘하든 못하든 가장 중요한 것은 **직접 손으로 연습하는 것**입니다."
* 🔑 "기본기를 확실히 익히고 무의식화될 때까지 연습해야 **실제 공연에서 사용할 수 있습니다.**"
* 📝 "실력 향상을 위해서는 **강의 시청에만 의존하지 말고 꾸준히 연습**하는 것이 중요합니다."

음계를 이해하고 연습하는 것은 실력 수준에 관계없이 음악적 숙련도와 즉흥 연주에 매우 중요합니다.

Also, do we have to practice in such a simple and ignorant way? There must be people who think that this is highly inefficient. For those of you watching now, because of that, we are doing this. Hello, this is Tteutteurim. For those of you who have visited our streaming before, you may already know, but we have completely moved to a new studio. So, today's video is the first one shot here. I will also go back to the basics and try hard once again step by step. Among the most requested contents as we move forward, one was to create a tutorial for female viewers. Therefore, in the future, I will talk about very effective practice methods and principles for beginners as well as those who can already perform to some extent. So, today, I will start with the topic of scales.

Eating and scale are important. You need to practice the 12 keys. Although people say this, it is rare for them to explain why it is important and how it is made. So today, let's take a look at how scales are created, how to practice them effectively, and why they are important. Let's dive right into it. So, what is a scale? Simply put, it is the do-re-mi-fa-sol-la-si-do around a central note, describing the order of sounds made based on a specific rule. There are various rules like this, but the most basic scale we commonly deal with is the major scale. For example, starting from C, or from G, or even from D#, the structure of these scales is the same. Therefore, understanding scales means knowing why the sound of these scales is the way it is.

I can say that before knowing this, the first thing to do is to divide sounds and responses into 9 parts. For example, from 도 to 무, it's a response, but from 5 to 랭, it's the meaning of 온. Similarly, 탐나지 is a single image, so 40 is today. Ultimately, if there are two sounds, it's 온음. That's all you need to divide. At first, this is how it is. So, when you know this and try to direct it, the ultimate result is that you won't see spring in the 4th floor of the future, and the rest are all 아오늘인디. No matter what sound you focus on playing, if you make the third, fourth, seventh, and eighth sound a response, it becomes a major scale completion. So, don't think it's difficult. If you find the 도레이터쏠라 attempt that we commonly think of, it's completed. This is how it was conveyed. If you press 이상않음 in the middle, you can easily feel that something is strange.

Something feels strange, like something, um, like this. So, this is commonly referred to as practicing the 12 key scale. It means playing through the 12 scales created in this way. Haha, um, you play all 12 keys like this continuously. And from here, it's really important. By skipping one note at a time in this scale and stacking them up, we reach what we commonly know as the final completion. Then, the sequence becomes like this, starting from 11th diminished but this one, seventh, major, seventh, minor, seventh, to F5. In this way, we end up with 7 chords. Of course, if it ends here, there's nothing special. The real essential part starts from here. As we have learned so far, the 12 scales are all created in the same principle. Therefore, naturally, the codes produced here are all based on the same principle.

I skated on the drug consciousness here, and if the third chord was Nina Minor chord, then in the key, the third note is a bit easier, so if the third chord is a major chord, and the fourth chord is a minor chord, then of course they were made on the same principle, so if you're writing down chords made in this way in the key of 12, for example, if the third chord becomes major, and the fourth chord becomes minor, then just rewrite it. When we play the prelude, we can use this. For example, if there was a third in the C key, then it's the same when you go to a different key. Then, if you press the codes corresponding to 1, 2, 3, 4, 9 in that key, it's done. Just like that, even if it's an air conditioner code, it's made on the same principle. So, how should we practice Ace Carrier properly now?

I think I know my skills to some extent, but I'm not really good at utilizing them. The reason is simple. You all think you know the scale, but in reality, you just mistakenly think you know it. What Jazz Keller really means by not truly knowing something is being able to use it naturally in your performance. It's not about difficult techniques; it's about making it your own. Just having the basic notes like do-re-mi-fa-sol-la-si-do doesn't mean anything. Even if you just use the notes B, A, G, F#, E, D, C#, you can make such a performance. So, playing jazz or improvising like this ultimately comes down to how well you have good habits in your hands. It means constantly changing what you have been doing so far, requiring continuous effort and study. Let's not rush, but proceed slowly yet surely.

So, really thoroughly memorize this. For example, C major 7, C minor 7, C7, Cmaj7, Cm7, Cm7-5, Cm7-5, C7-5, C7-5, Cm7, Cm7-5, Cm7-5, C7-5, C7-5, Cm7, Cm7-5, Cm7-5, C7-5, C7-5, Cm7, Cm7-5, Cm7-5, C7-5, C7-5, Cm7, Cm7-5, Cm7-5, C7-5, C7-5, Cm7, Cm7-5, Cm7-5, C7-5, C7-5, Cm7, Cm7-5, Cm7-5, C7-5, C7-5, Cm7, Cm7-5, Cm7-5, C7-5, C7-5, Cm7, Cm7-5, Cm7-5, C7-5, C7-5, Cm7, Cm7-5, Cm7-5, C7-5, C7-5, Cm7, Cm7-5, Cm

Film this and upload it to your YouTube or case blog, then leave the address in the comments. In this way, all 12 keys are included in the full score on my channel's community tab. All the codes are written down, so please press them directly. Keep repeating until you are completely familiar with it, even waking up early to do it. Practice with a metronome to keep the correct rhythm. After uploading a video of this homework challenge, I will randomly select 5 people and send them a Pure Can scorebook from our music note channel. Check it out in fifth grade. Whether you play well or not, fast or slow, that's how it goes.

It's not about something important, but the most important thing is that you have done something with your own hands. So, we don't really judge your skills. Beginners should never worry and should give it a try. However, it might be a bit difficult to upload something wrong. No, should we practice something so simple and ignorant? Some of you may think that we haven't practiced enough. Among those of you watching right now, those who have seen my broadcasts and videos might wonder what I'm going to say. That's why I'm writing it down below. We are doing this right now. It's faster to practice the composition of ingredients in food, practice the wind instrument, and skillfully control the essence. Stay focused. It's not allowed. Even if it works out, the foundation will eventually catch up with you. Even if it's a little bit, you must firmly grasp the basics and practice as much as possible until it unconsciously emerges. Only then can you utilize it in actual performances.

This is completely separate from talent or anything else that anyone can do. Even if it's just one key a day, keep repeating it, and let's familiarize ourselves with the structure of codes that can come out on a small and large scale. I will continue to emphasize this in the future, but it is not just by watching the lectures that your skills improve; more than anything, it is crucial to practice what you see next. It is a very basic story, but at the same time, it is an easy part to neglect. If today was helpful, please come back, radio button coolness, and if you have any questions, feel free to leave a comment anytime. Then I will try to find them as the topics for the next videos. Thank you for watching today's video, and I've changed 10 things.

[박터틀] 스케일 완전정복! 음악의 시작과 끝이라고?! 피아노 독학 전 필수영상

재즈피아노와 작곡, 실용음악 전반에 대한 이야기를 소개하는 박터틀입니다!

박터틀의 음악노트

초보 뮤지션을 위한 음계 연습의 중요성

음계 연습은 초보 뮤지션이 실력을 향상시키는 데 매우 중요합니다.

음계는 특정 규칙을 따르는 일련의 음표로, 가장 일반적인 음계는 메이저 음계입니다.

음계를 이해하는 것은 음악의 소리와 구조를 이해하는 데 필수적입니다.

음악의 12가지 주요 음계 이해하기

12음 음계는 소리와 반응을 나누어 하나의 장조 음계를 완성하는 것입니다.

12음 음계 연습은 이렇게 만들어진 12개의 음계를 연주하는 것으로, 음악 이론에서 매우 중요한 부분입니다.

음을 쌓고 같은 원리로 7개의 화음을 만들어 음계를 완성하면 음계가 완성됩니다.

재즈 즉흥연주를 위한 음악 이론의 코드 진행법 활용하기

코드 진행을 만들 때 코드를 마이너에서 메이저로 변경하여 코드의 이완 또는 장력을 조절할 수 있습니다.

이 원리는 다른 건반에도 적용할 수 있습니다.

재즈 즉흥 연주는 단순히 음계를 아는 것뿐만 아니라 이를 자신의 것으로 만들고 좋은 연주 습관을 기르는 것이 중요합니다.

재즈 즉흥 연주를 마스터하려면 지속적인 노력과 연구가 필수적이며, 느리고 꾸준한 발전의 필요성을 강조합니다.

음계와 코드 외우기: 특별한 숙제 도전

나열된 음계와 화음을 철저히 연습하여 숙달하고 숙제 과제를 위해 동영상을 녹화하세요.

채널의 커뮤니티 탭에 동영상을 업로드하고 악보집을 받을 수 있는 기회를 잡으세요.

리듬 연습을 할 때는 메트로놈을 사용하고 완전히 익숙해질 때까지 계속 반복하는 것을 잊지 마세요.

숙련도를 높이는 데는 타고난 재능보다 기본 기술을 연습하는 것이 더 중요합니다.

실제 공연에서 무의식적으로 기술을 사용하려면 꾸준한 연습이 중요합니다.

강의를 시청하는 것만으로는 실력이 향상되지 않으며, 꾸준히 연습해야 발전하는 모습을 볼 수 있습니다.