패러독스 탐구: 의식과 현실 창조

### 바샤르와 함께 역설과 의식을 탐구하다: 현실 창조로의 여정
* 🧠 "패러독스는 두 가지 이상의 개별적인 아이디어 및/또는 행동 주파수를 동시에 유지하면서 **어느 한 작업에서 주의 자산을 감소시키지 않는 것**"을 말합니다.
* 🌌 생각을 자극하는 토론에서 **트레몬트 마이클스와 바넷 베인**은 역설의 개념을 탐구하며, **매우 창의적인 자아의 소통 채널로서 역설의 역할**을 강조합니다.
* ✨ 바샤르는 반대되는 아이디어를 이해하면 개인이 **'힘의 지점'**에 놓이게 되어 반응적으로 현실을 만들어내는 것이 아니라 의식적으로 현실을 만들어낼 수 있다고 강조합니다.
* 🔮 대화는 양쪽 관점을 모두 수용하는 것의 중요성으로 옮겨가며, **의식을 확장하면 의식적 창조를 위한 새로운 역량**으로 이어질 수 있음을 시사합니다.
* 🌈 바샤르의 가르침은 **모든 질문 속에 답이 있으며, 관점을 바꾸면 현실에 대한 이해가 달라질 수 있다**는 것을 시사합니다.
* 📖 이 토론에서는 내러티브의 구조가 우리의 경험을 인식하는 방식에 영향을 미칠 수 있는 **스토리텔링이 우리의 의식을 형성하는 데 있어 갖는 중요성**에 대해서도 다룹니다.
* 🌀 바샤르는 우리가 **수십억 개의 평행 현실을 끊임없이 이동**하고 있으며, 우리의 선택에 따라 우리가 스스로 만들어내는 경험의 순서가 결정된다고 설명합니다.
* 🎬 마지막으로, 호스트들은 영혼과의 인터뷰를 통해 죽음 이후의 삶을 탐구하는 것을 목표로 하는 가상의 다큐멘터리 **'디어리 디파티드'에 대한 통찰**을 공유하며 물리적 영역을 넘어선 존재에 대한 흥미로운 관점을 약속합니다.

패러독스는 개인이 의식을 확장하고 동시에 진실을 수용하여 더 큰 창의적 잠재력을 발휘할 수 있도록 지원합니다.

it's time for cutting-edge consciousness with Reema Michaels and Barnett Bane. Thought-provoking discussions and bold ideas from the edge of possibility. Tremont Michaels here with my co-host Barnett Bane and our wonderful guest Daryl Anka, who's also the channel for Bashar. Before we went to break, Barnett, we were alluding to your favorite topic, my favorite time. Arivu promised you would get into a pair of ducks, so paradox for our benefit of our listeners who haven't been tracking this conversation. Paradox is a holding of two or more separate frequencies of idea and/or action simultaneously without reduction of attention assets from either task. Now scientists love what the heck scenario psychologists. I'm working with some neuropsychologist and they love that kind of talk to love it. So what else are not if they're listening to the show then we've still got an audience. Well we got we got one we got one or two but what else is paradise. Paradox is also has a mystical function. Paradox is also a channel of

communication from aspects of the self beyond logic and reason from an ultra-creative self, and I am quite confident going you have a considerable amount of insight into this that you'd like. Bashar talks about paradox all the time. In fact, he calls paradox the point of power because if you are understanding things which appear to be opposites at the same time, that means you have to be in the center of those two things. They have to both be coming from you, and therefore, it positions you squarely at the center, squarely at the balance point, which is your point of power. That's so good. You just paid for yourself. Yeah, and he did it in one sense, just paid for. So, let's rapid go home. The brilliance, always fantastic, fantastic good thing we're going on much. So, but I'm going to say more about it. So, the dimensional don't bag on true net. I'm not on it. Come on now. The dimensional perspective as being empowering is really exciting to me because in my life, I was very attached.

to an either-or paradigm. What you're suggesting is it's a both/and, that there's multitudes of different ways to look at things, and they can all be held simultaneously. Yes, Bashar often says it's not this or that, it's this and that, and that when you do that, you have to expand your consciousness to include what appears in the physical reality to be opposites. But from a higher perspective, it can be seen that those are simply different aspects of the same one conscious, and there's just possibilities, and they're just choices. I love it. They are choices. It's a frequency game. They are choices, that disparate choices apparently, and we experience them as such. But when we begin to play that energy game, when we begin to become frequency alchemists, we begin to mix these things. There's some good ones, they become not confused but co-fused, and they lift to a higher order of harmony and complexity. Absolutely. So we have now, we can go home now, we go drinks all around. We've talked on this show before.

I think we made the distinction. Now we talked about beauty on this show as being beauty, as being the frequency, yes, or they are really a harmonic of frequencies. Beauty, think exhilaration plus serenity, experience simultaneously, is beauty. Mmm, that's a good one. I like seller Mila. Now, what is wonderful, what I look, what we love about this conversation, and you're going to jump in here in miraculous ways, I know it. What is wonderful about this conversation is as we begin to expose, we increasingly expand consciousness. We become more and more attuned to the resonances of paradox, yes. So what are we waiting for? What do you think might be in store if we begin to cultivate paradox consciously with intention? All new capacity will become conscious creators instead of unconscious ones. We start to realize that within every question, the answer is there. And as Bashar says, all we have to do is take that little bent question mark and straighten it out into an exclamation point to realize that we wouldn't be able to even ask the

question if something in our consciousness didn't understand the answer already, the question would never occur to us if the answer wasn't already there. That's fantastic. We become clearer. We become more transparent. We become more of who we actually were created to be, and we stop waiting. I stop waiting for something outside of us to happen, this incessant fixation on the collective. Now everyone has to change. We don't regard. Yes, we begin to become players, conscious contrary leaders, conscious players. It is a very, very different game just when we begin to generate reality, not out of a reaction to causes, but out of generating causes and then waiting to see the effects, or generating effects rather, and then waiting to see the causes. It's not because it's no longer a cause and effect reality. It's an effect leads to cause, or everything is viewed simultaneously. Yes, but you're, it's all of you simultaneously, but as the leading edge of our reality.

creation the virgin frontier of exploration is not at the level of impact causation of pushing around the furniture. It is there out. It is at the level of generating something mystically wonderful, eco-creatively, magically, and our hand in it is this blending of frequencies, yes land, which can only happen when we have looked within and dealt sufficiently, not perfectly, but sufficiently, with all of the matrix of limiting leave and thought choice Indus. Yeah, it becomes less less of a linear space-time experience and more of a simultaneous holographic one. What you're seeing, the interconnection and interrelationship of everything that exists all at once and making choices from that point of view instead of from a more limited point of view. So now I have a perspective on this. Did you remember to pick up the gallon of milk for your wife when it becomes a she's listening and there is a problem when I got home. You better get back in that bus. The part about this that becomes so interests I

got it. It's in the back. That's good. I have to go pick it up because it was going to get hot in the car. How's that? But the part about goes, Yeah, thank you. The peril has it. The part about this that's so interesting because we referred to the reservation, the physical world reality, the way that we're playing out this incredible metaphysical perception that we're talking about on sort of one hand, and on the other hand, we got to pick up the milk on the way home. Yep, and we have to navigate this incredible, oh, how do we describe this crazy cosmic plane in the world but not of it has been said by, for by, mmm, who is that? Yeah, but those two things don't have to be seen as different. They don't have to be labeled designs, right? Because by labeling them as different, you have a different experience of each of those things. But if you look at the whole thing holographically, if you live in the

moment with that as Bashar often says. It's not that you have to have a memory in the way we think we do. It's that you simply know what you need to know when you need to know it. That's right, you have access, you have access. It hadn't honestly to resort information and data when you need it. It's not something you have to remember. And I love and I'm sure and say hi to be sure I Bashar. There's an element of choice with this dimensional perspective. Something arrives in physical world reality. There's instead of one way of defining it, good or bad, or two ways, I should say. There's infinite, and the element of consciousness allows us to choose from a much larger inner fish or anything else you want to do. Okay, yeah, I mean, I think one of my favorite sayings Bashar has is if there was only one way, there would only be one person. Look around, that's right. And the element that you started with, the idea of meaning, do I want to make this

meaningful. What meaning do I want to apply to this? How do I want to? We all relate to what's killing evil. It's just what kind of means the kind of meaning I answer good. And are we lit enough and patient enough to look below the surfaces of things to discern the meaning that we're giving it and then to decide whether it is in alignment with what our choices and maybe we want to change the meaning. But I'm gonna say we don't even need patience, love it, because if you're living in the moment, you're loving what you do. What are you waiting for? It's right, that's right, and that's great. And if we find something that we've given meaning to and we go, I don't want to mean that anymore, we changed the meaning. Well, we changed the story, as I said. Yes, we realize the story we've been telling. We don't want to keep perpetuating that. Stay all right. I'm not talking that anymore. Boom. What happens to it energetically? It's gone. Yes, Bashar.

recently did a seminar. Never have been. Yeah, he recently did a seminar specifically on the idea of how story structure is embedded in our consciousness. Say more, and it's really about the idea of what story are we telling ourselves and do we want to tell ourselves a different story and that will change everything anymore. Well, the idea a long time when you deal with story structure. People have thought, well, of course, there are archetypes in story structure, but Bashar is saying that story structure is energetic architecture speaking to. Yes, I mean, when you talk about a typical movie or any kind of a book or story, there are a lot of stories or life. There are archetypes within it. Bashar is saying that story structure itself is an archetype, and when you tell a story that resonates and hits all the right chords of that archetypal structure, that's when the information sticks. That's why when we tell stories, we remember the information. It's following an archetypal structure that's built into our consciousness, and when you hit those points, you can't

possibly forget it because it hits all the right chords. So, tell yourself the story that hits all those points in exactly the right way and exactly the right vibration for you. And that's who you actually are. That's your true story or true frequency. That's so good. That's good. That's Fenton. I know I want to go in a slightly different direction, but it's all the same conversation. So, let's talk for a minute about parallel realities. So, when we are a little reality, yeah, the way I understand it, and you may be able to clarify this because I probably do like Bernetta hunch and get it all loopy loopy loopy, but the idea is as I relate to something differently, I quite literally in a different experience or something of that nature. Is that how you would describe parallel realities? Or yes, although I'll go further with it. No, anyway, Bashar has actually talked a lot about parallel realities lately, and one of the things he's actually said is whether we know it or not, we're actually

shifting through literally billions of parallel realities per second. In fact, that's what time is: the illusion, the side effect we call time, is our consciousness shifting billions of times a second from static parallel reality to static parallel reality that creates the illusion of movement, of time. And so, if you understand that you're shifting billions of times a second, you're always at a zero point. You can always redefine yourself. It's a sequence of parallel realities that we are calling a parallel reality. So, it's a direction of parallel realities, but they all exist at the same time. You can choose any path through them, and if you know you can do that at every single moment, then whatever you define yourself to be at that moment is the sequence of parallel realities you set up for yourself. I hope you're buying a really good lunch, really, really good. That was great. And then we create a context for ourselves per where we are developmentally. We contextualize it in a story, right? So, the present, in the past, in the future, we string these

these beads of experience in a straight line like pearls on a necklace. We call that our story, repressed, our present, our past, our future. Many years ago, many, many years ago now, Bashar said something to me that was like tossing a grenade into my consciousness. Kaboom. He said a lot of years ago, The present is not the result of the past. That was a seismic piece of information, and it's very much, it's very germane to what we're talking about right now. Absolutely, it is. Also, the present is not the result of, as it is more the result of the futures that we are choosing for ourselves, set against the backdrop of the story we tell ourselves of the past. But are generally, we have been going around with Mary to these stories and dragging our conditioned self, conditioned by our experiences that we call the past, throwing that into the future and creating these vibrations of self-fulfilling prophecy. The present is not the result of the past. That's a game-changer. Huge. Yes. Yeah. Every moment.

is unique. Every moment is new. Every moment is zero and parallel realities, future realities, multi. They're entering Airy. There is only now, right? But they are all. It's a frequency game, yeah. As Bashar says, what we think of as different moments are all the same moment viewed from different perspectives. Mmm, I love that. That's a good love that guy, that Bashar guy, yeah. Is he coming to lunch too? He gets an extra special something, yeah. It won't cost you anything because he doesn't eat. He's not a big eater. That's a cheap date, that. It's not a big eater, just a little energy on the side. All right, so I'm out of questions, done. What else is going on with you? I know you're just finishing a movie. We are in post-production on a movie, our first movie as a production company. It is a fictional documentary called Dearly Departed. It's shot as if we were able to take a camera into the spirit world and interview dead people to get their take on life after death. Hmm, wow, you Darrell. I see live people.

I see live people. When is the release date ever? Ah, we don't have a release date of the film. It will be done sometime in February, and we will be talking to distributors to see when we can get it into a three or four. We're going to see it pretty soon. Yeah, you can see it sooner. I love it tonight, and I'll wait. I got away. And then, of course, when this is coming out or doing whatever it's going to do, we would to have you back to talk about it. Love to. You'll be here. All right, we'll listen. Schedule is a red irregular appearance. That's a he'll be. He'll be pencil that I fixed you. All right, so I'm look like I don't have my glasses on. And well, that's our engineer rather than flashing. Is that pictures of your kid? I know it's our times up. Oh, but there is no time. There is no time. Have you not learned anything over this show? That's right. We have to do it again. We might

have to butt in in this chosen reality, this chosen moment. I am going to let our audience know that Bashar a.org, yeah, the website. You go ahead, you're doing a good job, dot Bashar dot org. Yeah, yesterday you were, you said it very well, and we highly recommend that you go there now and often. And we are grateful that you are here now because we will be right back, but of course, Daryl will not be with us. And Daryl, thank you so much for spending time. Thank you, guys.

Paradox Is The Point of Power: Darryl Anka, Channel for Bashar on CEC

CuttingEdgeConscious

리마 마이클스와 바넷 베인이 바샤르 채널의 대릴 앙카와 함께 역설의 개념에 대해 생각을 자극하는 토론을 진행합니다.

패러독스는 두 가지 다른 주파수의 생각이나 행동을 동시에 유지하는 것으로 설명되며, 이를 통해 자신과 자신의 힘에 대해 더 깊이 이해할 수 있습니다.

이 대화에서는 상반된 생각을 같은 의식의 다른 측면으로 보고 개인적 성장을 위한 선택지를 제공하도록 의식을 확장하는 것이 중요하다는 점을 강조합니다.

아름다움은 짜릿함과 평온함을 결합한 주파수의 조화라고 할 수 있습니다.

모든 질문에 대한 답은 이미 우리 안에 있기 때문에 역설을 의식적으로 발전시키면 새로운 역량과 더 명확한 이해로 이어질 수 있습니다.

이러한 관점의 전환을 통해 우리는 의식적인 창조자가 되어 결과에서 원인까지 현실을 생성하고 모든 것을 동시에 바라볼 수 있습니다.

우주 평면 탐색하기: 홀로그램적 관점

이 대화는 형이상학적 인식과 물리적 현실 사이의 상호작용을 탐구하며, 이를 별개의 것으로 볼 필요가 없음을 강조합니다.

기억에 의존하기보다는 순간에 살고 필요할 때 정보에 접근하는 것이 중요하다는 점을 강조합니다.

또한 경험을 정의하는 데 있어 선택의 요소와 상황에 부여하는 의미를 바꾸는 힘에 대해서도 논의합니다.

바샤르의 세미나는 스토리 구조가 우리의 의식 속에 내재되어 있으며 우리가 스스로에게 하는 이야기에서 중요한 역할을 한다는 아이디어에 초점을 맞췄습니다.

그는 이야기 구조 자체가 하나의 원형이며, 이야기가 이 구조와 공명할 때 그 정보는 기억에 남는다고 주장합니다.

또한, 바샤르는 우리가 초당 수십억 개의 평행 현실을 끊임없이 이동하고 있으며, 우리는 언제든지 자신을 재정의하고 이러한 현실을 통해 우리의 길을 선택할 수 있는 힘을 가지고 있다고 설명합니다.

우리 이야기가 현재에 미치는 영향

과거의 경험에 의해 형성된 우리 인생의 이야기는 현재와 미래의 선택에 영향을 미칩니다.

"현재는 과거의 결과가 아니다"라는 바샤르의 통찰은 일반적인 내러티브에 도전하고 매 순간의 고유성을 강조합니다.

이 연사는 현재 죽은 사람들을 인터뷰하여 죽음 이후의 삶에 대해 이야기하는 가상의 다큐멘터리 '디어리 디파티드'를 후반 작업 중입니다.

영화 개봉 업데이트 및 게스트 출연

이 영화는 2월에 완성될 예정이며, 개봉을 위한 배급에 대한 논의가 진행 중입니다.

게스트는 영화에 대한 향후 토론을 위해 다시 돌아오고 싶다는 의사를 밝힙니다.

호스트는 청중에게 자세한 정보를 보려면 웹사이트 Bashar.