오디오 프로세싱의 오버샘플링: 사용 시기 및 방법

### 오디오 프로세싱에서 오버샘플링을 사용해야 하는 경우
* 🖥 "컴퓨터가 더 이상 처리할 수 없으면 **끝입니다.**"
* 🔊 압축기의 빠른 설정, 특히 로우엔드가 많은 머티리얼의 빠른 릴리즈는 **추가적인 왜곡**을 유발할 수 있으며, 이는 때때로 **오버샘플링**으로 해결할 수 있습니다.
* 🎛 채도 또는 아날로그 모델링 플러그인은 **오버샘플링을 통해 에일리어싱과 의도치 않은 왜곡을 완화**하는 이점을 누릴 수 있습니다.
* 🚫 오버샘플링이 항상 해결책은 아니며 **리미터와 일부 압축기 및 포화기와 같은 다이내믹스 프로세서의 트랜지언트를 둔화**시키는 등 득보다 실이 더 클 수 있습니다.
* 👂 오버샘플링이 유익한지 해로운지를 식별할 수 있는 귀를 훈련하는 것이 중요합니다.
* 💬 "질문에 대한 답이 되었기를 바랍니다."

오버샘플링은 특히 빠른 설정이나 아날로그 채도를 사용하는 플러그인의 왜곡 문제를 해결할 수 있지만 리미터나 압축기와 같은 다이내믹을 개선하지는 못할 수 있습니다.

foreign with you guys. If you have questions, leave them in the comments down below. This one is from Diego Perez. I hope I'm not butchering your name. When to use oversampling and when not based also on CPU power. Thank you. Well, the CPU power is easy. When your computer can't process anymore, you're done. But I can't really tell you when to use it, but I can try to tell you what to look out for when you're wondering should I use it or not. For example, fast settings on a compressor. We're talking about plugins, of course, not hardware. Fast settings, especially fast release, and especially on material that has a lot of low end, they tend to create extra distortion. They tend to stutter and create extra distortion. Sometimes that's unavoidable. That's how fast releases act with low end material, but not only. So you kind of have to watch in general for that. But sometimes it's just plugins, and especially if you're mixing at a low sample rate, they can create extra distortion.

unwanted artifacts, which are solved sometimes with oversampling. So that's one scenario. If you hear something wrong in that, and you find yourself doing something like that, try oversampling. It may solve it. So second scenario, any type of saturation or analog modeling. Now, this is not 100%. It depends again on how the plugin is coded, how good it is, and a lot of other things. But usually saturation can benefit from oversampling, simply because there could be aliasing. But that's not the only problem. There could be also other problems when trying to emulate analog saturation. In the box, it could add again unwanted unintended distortion. And sometimes it's kind of hard if you're not experienced to hear that unwanted distortion there, because you're already distorting. Saturation at the end of the day is distortion. So again, try if you are in doubt, is this supposed to sound like this, or is it like a little harsh, you know, then try oversampling. It could get better. And similar to this is the emulation of all

the non-linearities, the analog has, and plugins try to emulate. Sometimes those emulation can sound flat and harsh. And again, in this case, oversampling could help you. At the same time, I can also tell you what to look out for when oversampling. Either is not the ticket, or it causes more harm than good. Before we continue, if you enjoy the videos, please subscribe and hit the notification button. And if you really want to learn how to mix and master professionally, click the join button down here, become a Mix Plus TV member, access the already big and always growing library of full mixing courses, start to finish mastering courses on many different genres, and a lot more. If you like the video, you want to support the channel, either grab some merch or use the super tanks down here. Let's go back to the video. And this is simple because what you have to look out for is dualness oversampling. Oversampling on Dynamics like limiter brick wall limiters, for example, on some compressors, but also some saturators can do the material can do the transient can.

just make the saturator not as biting and as exciting as was without it. So, look out for this. Oversampling is not always better. It doesn't equate sometimes. It is, sometimes it's not. I gave you a couple of scenarios, and from here on out, it's just training your ears. I hope this answered the question. If you guys have more questions for the Q&A, leave them in the comments down below. Thank you for watching. Subscribe if you haven't already, and see you next time. [Music] Heart is [Music] [Applause] [Music]

Oversampling: When and Why 🤐

David Gnozzi Platinum Mix Mastering Engineer, Producer
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오디오 프로덕션에서 오버샘플링을 사용해야 하는 경우

오버샘플링은 특히 저사양 자료에서 추가적인 왜곡을 방지하기 위해 빠른 압축기 설정을 처리할 때 유용합니다.

또한 에일리어싱과 의도하지 않은 왜곡을 줄여 모든 유형의 채도 또는 아날로그 모델링에 도움이 될 수 있습니다.

또한 오버샘플링은 전반적인 음질을 개선하고 거칠기를 줄이기 위해 아날로그 채도를 에뮬레이트하는 데 유용합니다.

오디오 프로덕션에서 오버샘플링이 미치는 영향

오버샘플링은 비선형성과 아날로그 사운드를 에뮬레이션하는 데 사용되지만, 때때로 평평하고 거친 사운드를 유발할 수 있습니다.

리미터나 컴프레서와 같은 다이내믹에는 유용할 수 있지만, 그 효과에 주의하는 것이 중요합니다.

Mix Plus TV를 구독하면 전문적으로 배우고 싶은 분들을 위한 다양한 믹싱 및 마스터링 강좌를 이용할 수 있습니다.

오버샘플링이 항상 더 좋은 것은 아니며 반드시 더 나은 결과를 가져오는 것은 아닙니다.

새터레이터의 효과는 특정 오디오와 원하는 효과에 따라 달라질 수 있습니다.

궁극적으로 핵심은 귀를 훈련하고 달성하고자 하는 특정 사운드에 따라 채도를 사용하는 것입니다.