고대 문명에서 솔방울과 핸드백의 상징성

솔방울은 지식의 전달을 상징하고 핸드백은 문명을 창조하는 데 필요한 도구를 상징합니다.

### 솔방울과 핸드백의 상징성: 고대 지식과 문명 창조
* 🌲 솔방울은 지식과 지혜를 상징하는 강력한 상징으로, **메소포타미아와 바티칸을 비롯한 전 세계 고대 문화**에서 자주 묘사됩니다.
* 👜 거석 구조물과 관련하여 자주 발견되는 손가방 기호는 **문명을 창조하고 통치하는 데 필요한 도구와 지식**을 의미합니다.
* 📜 역사적으로 이러한 상징은 **사제나 동방박사와 같은 엘리트들만이 이해**할 수 있었고, 이들은 **전 세계 선진 문명의 시발점이 된 지식**을 보존하고 있었습니다.
* 🌌 많은 고대 상징은 지혜와 깨달음을 상징하는 본래의 의미와 달리 시간이 지남에 따라 그 의미가 변질되어 **악하거나 부패한 것처럼 보이게** 되었습니다.
* 🔍 메소포타미아의 실린더 인장과 아눈나키족을 묘사한 벽화 등 고대 유물에 대한 연구를 통해 **단절된 문화 전반에 걸쳐 공유된 상징성**을 발견하고, 더 깊고 상호 연결된 역사를 시사합니다.
* 🏛 핸드백을 상징하는 고베클리 테페와 같은 유적지의 중요성은 **수렵 채집인들에게 첨단 지식과 문명 건설 도구가 전수**되어 정교한 사회가 출현했음을 나타냅니다.
* 🌌 핸드백과 솔방울의 연결은 **현실에 대한 이론적 이해와 문명 건설에 필요한 실용적 도구**라는 지식의 이중적 측면을 강조합니다.
* 🌍 궁극적으로 이러한 상징은 현실의 공동 창조자로서 우리의 잠재력과 흔히 가르치는 단순한 내러티브를 넘어 **인류 문명의 진정한 역사를 이해하는 것의 중요성**을 일깨워주는 역할을 합니다.

what does the pine cone represent? Why is that shown around the world? But more importantly, what does the handbag symbol represent that we see all around the world? This knowledge was kept only at the highest levels with priests and Magi; only those at the top could understand what these meant. Many of these ancient symbols throughout history were eventually inverted and perverted to their opposite meanings, in some cases to almost demonize them, to seem like it's something that's evil when it's truly something that's the complete opposite. These individuals, they are the keepers of knowledge and the keepers of how to create civilizations. They're the ones that jump-started every major advanced, sophisticated civilization we can around the world. I really think this is going to help connect a lot of these missing pieces for people that are yearning for this knowledge. [Music] So, I want to give just a tiny little bit of background because I know that not everybody that comes to this information is at the same level; you know, they haven't necessarily studied this for

years and years and years. Maybe they're just discovering this for the first time. So, what I want to do is just give a really small, uh, very short, uh, higher-level and lower-level perspective of this before we really get into what we're talking about. Because I feel like this information specifically is at the highest level. It's not something you just jump right into and start talking about, or you're going to get a lot of people that haven't studied it roll their eyes and turn this video off and say, I don't know what he's talking about. So, I want to set the stage for what this information is and why it's so important. Over the last couple of years, the last several years of studying this and writing books and trying to understand the earliest point of when civilization started here, there was always these questions that came up. Questions revolving around what are those cylinder seals that have been found in ancient Mesopotamia. What do they represent? What are these murals represent with all these depictions from

the past. What do these ancient symbols we find in places like in the Americas, all the way into Turkey, down into Egypt, down into Mesopotamia? Why do we find the same symbols shared by so many different cultures around the world when in our history books we're taught that that culture, those cultures, had no contact with one another, especially across oceans? They were disconnected from different time periods in history, and it's all just random, right? Human civilizations emerge just based on randomness. Some group of kings and group of hunter-gatherers got together, they decided to settle on a location, and then they built an empire, and then that event empire eventually collapsed, and that's the whole story we're given. We're told this entire narrative of our civilization can be put into this 6,000-year window with just enormous amounts of slaves being forced into manual labor to create these enormous structures like the pyramids. This is the version we're told, moving these enormous blocks on these wooden pillars and all these things. It just doesn't make any sense anymore.

this old narrative and paradigm that we're taught about how human civilizations got created, how old they are, what the knowledge and the information that was handed down to them, where did it come from. All of these things are starting to become much more in the forefront of conversations, and we're not there yet. A lot of society is still sleeping and believes this narrative that we're told, that I just described, this very simplistic narrative that really does govern our lives. If we think that we're just primitive apes that have no connection to the stars and we have no understanding of what we really are, this higher vibrational being that is a co-conscious creator of this reality around us. If they don't have that perspective, think about how that governs their lives. So, that's why I think this information is so important. What we're going to do today is we're going to answer some very, very important questions that are just sort of sifting around and floating around the internet that I get. I get emails and

I get questions all the time from people. They'll ask me, What did the Anunnaki look like? Are they reptilian? Are they serpent-headed? What do these terms mean? What does the pine cone represent? Why is that shown around the world? But more importantly, what does the handbag symbol represent that we see all around the world? What do they really represent? We got to start with symbolism because that's the biggest piece of this to understand. Now, for those who have followed my work for the last few years, who have read my latest book, The Stage of Time, they know that I discuss the ego, the symbols of the eagle and serpent extensively, discuss how it's not really supposed to be a literal translation. You know, in Mesopotamia, when we find this depiction of a serpent-headed individual, it's very easy to want to jump on that and say, That's some reptilian being. Very easy to jump on that, and I don't want to throw anybody under the bus and say that you're wrong, but I want to

explain my side and my take on how that explains what that means when you have something serpent-headed. Just like when it's described like in the Code of Hammurabi black-headed. We're talking about symbolism that's shown what someone's mentality is. That's why when we have depictions of some of the Anunnaki, they have an eagle head. They didn't really have eagle heads, and they didn't really have serpent heads. It was this, it was a symbolic way to describe their mentality. If someone's mentality is focused on governing through war and control and the masculine energy of creation, that symbol was always shown through the symbol of the eagle. That's what that symbol meant. And the serpent was always represented knowledge and wisdom. So in that case, it really wasn't a scary image with that serpent head. It actually represented a very knowledgeable being that was very, very smart, very knowledgeable, not like the society around and the farmers, the ones who were fishing, the common man back then. Those types of people didn't

understand any of this. This knowledge was kept only in the most high levels with priests and magi. Only those at the top could understand what these meant. Yes, the eagle and the serpent are some of the most important symbols that we have, but these two that we're about to talk about may be the most important too because they really represent the total reality of all of this. So, what you have in front of you is a lot of different images all thrown together, a collage of images together here, and I wanted to just break some of these down and show you guys this as we're going along. Now, the images at the top part of the screen and the left part, these are depictions of the Anunnaki, okay? And that's essentially those three are the Anunnaki themselves, and we'll get into a little bit more about why they look different. But I mentioned the mentality symbolism with the head thing. That image with the eagle head is Nanerta. It's an ancient god of war. That's why it has an eagle head, Nanerta.

was known as basically the major influencer of the Roman Empire. You can find that with the nerve to symbol right there. You'll see it with the Byzantine double-headed eagle. I showed that on the last image on the Rock shown in the background. That represented having awareness and knowing everything about all around you. So, having something look left and right meaning would be knowing all but not knowing in a knowledge sense, being aware of everything, knowing what everyone's doing, being one step ahead of them. This was the nurture symbol. Now, what you'll see though in even in that case being an eagle-headed mental that I described there, they have this symbol of a pine cone in their hand nearly every time they're holding that pine cone and pointing in a certain direction. As we go along looking at these specific murals from Mesopotamia that I'm going to be talking about, talking about which reference either Kings or the Anunnaki, I want people to

remember when what you're looking at everything has meaning every little curl every little Mark every single thing they put in these designs means something. That's what's so fascinating about it. I've literally stared at some of these for hours and hours on end just trying to figure out what they're representing. So what I'm showing here essentially just to break it down is these Annunaki individuals. These figures are holding a pine cone. They're always facing it forward in front of them. Now when you go to the Vatican in Rome where the Pope stands out and comes out and gives all those Commandments and talks to everybody. What you find in the square is a giant Pinecone symbol. The largest in the entire world sitting in the center of their religious establishment there. This enormous pine cone. Okay the same time the pope on his staff has a pine cone built is built right into the wood itself. You can see that depicted down the bottom as well as a hat that he's he wears called the miter.

hat now when when you look into the story of the Dogon, this ancient tribe that's in Western Southwestern or western Africa in the country of Mali, you find out that this Dogon tribe had all this knowledge about the stars and the heavens way before the first telescopes were ever invented, before they ever had influences from other cultures. You just had this remote tribe in the middle of western Africa that had knowledge about the heavens that literally no one had knowledge of at that time or very few select groups. And so when French anthropologists first came over to meet them in the 1930s, they couldn't understand how this tribe knew the detailed alignments and celestial movements of Sirius A, B, and even C. And Sirius B hadn't even been discovered yet. It wasn't discovered for years and years later until the first radio telescopes were made. And this culture somehow knew vast amounts of knowledge about our cosmos and about our planet as well. And the reason I say that I bring up

that story is that if you look at depictions of the Dogon, that they have, they show this aquatic serpent-like fish being known as juanas and awanas, has a hat on in those depictions, and that hat is where the miter hat came from. And awanas is passing on that knowledge in these depictions to these Dogon people. So when you look at the pope today, it's simply just a reference from these ancient knowledge bringers that passed a lot of knowledge, and awanas is. It wasn't really an aquatic fish being; it was just a symbol to represent Anki. And when you, because when you look at cylinder seals of Anki, you see that he essentially has these fish coming down through the above him, and he's basically in charge of the god of fresh water and balance. And so all these things that we see today in these corrupted religious establishments and these inverted truths of these symbols, they all go back to a much more ancient time before they really became inverted to their opposite meanings, just

like something like the swastika. All those things were either inverted or hidden so that we no longer understood what they are. The pine cone is absolutely all around the world. We find it in Hindu cultures. We find it in Egyptian cultures. We find it all around the world. As we get into, we're going to get into in a second, we know that the pine cone represented knowledge, the passing of knowledge and wisdom. We know that the pine cone represented both our third eye, the pineal gland within the human brain, as well as it represented this honeycomb hexagonal design, the seeds of life, the seeds of knowledge that represented basically this intelligent design behind all of nature itself. So they decided to use of any symbol in the entire world. The pine cone represented the passing of knowledge and wisdom, and that's why it's shown being pushed in front of themselves and being handed to other cultures. What's important about us establishing that is that we can then take that understanding and apply

it to other symbols because they're related to it, and that's how this works. We can take related symbols and allow us to help us expand to understand what they all mean. The pine cone and the handbag are literally shared by every single area in the world. We can establish that there were what we find evidence for lost civilizations, and that's why this is so important, because these symbols that we find in all these different parts of the world where we also have megalithic structures and sophisticated things that were built that would have been impossible for a primitive culture with Bronze Age tools. We find these same symbols, and that's what's so important about defining them, because it allows us to say, Ah, that's who influenced them for so that to create those civilizations, and that's why they're so similar to others. What we have on the screen is probably the most debated of all the symbols that exist today, is the symbol of the handbag. Now, I will fully admit when I first started studying this, I thought it was

some kind of a bag that may be held psychedelics to like um psilocybin or something to help expand some culture's mind or something when they're in a church. I couldn't understand but what is in that bag, you know, what are they providing, and there's been so many individuals have said, well, it represents technology, some kind of technology they had that helped them to build the civilization, and this is where I've come to, and this is where I want to try to lay down the definition I think makes the most sense to connect with the pineal gland, and it's going to make more sense as we go along because we have depictions with all of them together in the next cut in the next coming slides, so we'll put all this together in one place. So, the handbag symbol has been shown um in almost every single place that we have megalithic lost civilization imagery and structures around the world. We find these symbols, this handbag. Now, on the left side is pillar 43 at

Gobekli Tepe. So, we see the same handbag symbol there, and that's in Turkey. Now, the image in the middle is one of these Anunnaki images with him with the pine cone holding it out, and then the handbag down below. The following one on the right is from Mexico, La Venta, Mexico, with the Olmec, and you can see Quetzalcoatl, Kukulkan, Quetzalcoatl up behind him with essentially an Olmec individual with a head of a serpent as well, like serpent-headed, remember, holding and passing along a handbag. So, what does this mean? What does it really represent? Well, think about what the previous symbol represented, the passing of knowledge, okay? The passing of knowledge to another individual, not just generic knowledge, higher knowledge, knowledge of everything. If you were to try to sit down and explain to someone everything, to have them understand from a higher level, understand the balance of nature, understand consciousness, energy, understand the cosmos, understand how to

create a civilization. All these things come into. That's what's needed first: individual to be able to do what they've done throughout history in these empires. So, what did the handbag represent them? The handbag was the tools needed to create a civilization. So, if you sit down with someone and you are passing the pine cone of knowledge, you're just telling them something, you're telling them knowledge, you're having them understand like what I just described, the nature of reality, understanding energy, all those things. That's one thing, right? To have knowledge, to have it and understanding is one thing, but how do you create a civilization? How do you design a civilization? What are the blueprints for that civilization? What are the morals that would be laid down for that civilization? How is that civilization going to be governed? What are the rules going to be? That's what that symbol represents. It's the tools needed to create that entire civilization. So, that's why you have a pine cone from the knowledge side, and then here is coming right next to it.

holy, but notice he's not. He's not passing along. He's, in some cases, he's passing along the pine cone and passing along the bag, but in other cases, he's holding it by his side as well. These individuals, they are the keepers of knowledge and the keepers of how to create civilizations. They're the ones that jump-started every major advanced, sophisticated civilization we can around the world. When we see lost civilizations, this is where these influences came from. They came from those who were passing along knowledge through the pine cone and the tools to create civilizations around the world. And that's why we find these two depictions so closely used in nearly every depiction, because what's the end game here? If you had an advanced group that wanted to design the infrastructure for enough for a planet, design the infrastructure with cities for what people would do, for how to run the world, how to clear channels for river channels for agriculture, for how to map the heavens, you would need all of these different

tools and knowledge to be able to do that, and that's what I really feel like these symbols represented when they're handing them down. But it goes even deeper too, and this is where it's a rabbit hole. It truly is. We find ample evidence all around the world, just like we found evidence for these symbols being shown, that there have been devastating catastrophes that have occurred on the earth. And maybe not even just during one time period, but maybe as a part of a cyclical basis, where maybe every 12,000 years it seems like some disaster occurs. Which is why they were so obsessed with mapping the heavens, because they could understand not only the energy of the cosmos, but they could also map and understand when events are going to happen, what time period is occurring at, on a larger level, looking at it more on the basis on the solar system level, not just looking at our understanding of time.

these civilizations were wiped out collectively around the world based on a series of cataclysms. We find, and we know that based on erosion, we find around like the Sphinx enclosures. When we look at Greenland ice core samples, we see a very, very devastating event that occurred between about 12,800 and about 10,000 years ago, over a multi, potentially over a thousand-year period of multiple events that seem to have wiped out all of these civilizations and just left either just their megalithic structures that they built with no writing at all, or in some cases, these cuneiform tablets, which was the ingenious way that they could, they knew that they could preserve a message etched into stone or clay so that it would survive. That's why there's so few writings from any of these cultures anywhere in the world, because if they had used paper or anything digital, none of it would have survived. And so when some ask about, well, how do you know Atlantis was real, we don't have any

of the writings from Atlantis. Really, we have very little. We have anything that was either channeled or came through ancient Egypt because Egypt was the only connection that we can find back to Atlantis when Solon went there and then told Plato about the story of Atlantis. So, all we have is basically these scraps and these little breadcrumbs left behind from what is disasters that we can't even wrap our heads around in terms of human history for events that have occurred for what happened to them to be able to try to understand what this story is. And that's why it's so difficult because we're talking about a culture that disappeared in many cases well over ten thousand years ago. So, guys, this is what we're gonna go some high-level stuff now for those who love high-level in Gobekli Tepe, which is in the Anatolia region of Turkey. You see pillar 43, which is the most important of all the pillars there. Now, these pillars are

massive, massive megalithic pillars that are built out of a single stone. There are these huge T-shaped pillars, and they weigh more than 20 tons each, and they have all these strange depictions on them. The first thing to mention about pillar 43 is it has a handbag symbol at the very top, meaning the tools needed to create a civilization, right? So, they're worshiping that knowledge and those tools that created their civilization. Why is that so interesting and important? I've mentioned this before, but I want to mention it again for those who don't know. Gobekli Tepe is one of the most important sites, not for its sophistication with megalithic giant blocks like we see in Peru or in Egypt, not for that reason, but because it contains certain levels of archaeological evidence that helps us to really understand this story. Well, to back up this information, what you find in Gobekli Tepe is that as they've uncovered different layers going down in, they've found that this entire

astronomical Temple, which is what this was, was buried under mountains of debris, deliberately buried and hidden, closed off. When they finally got down and dug in and found this Temple, they found that there were very peculiar layers of organic material within other layers that went down deep below that. And they were able to radial carbon date that organic material to 11,800 years ago for this civilization of Gobekli Tepe that made that Temple. So, we know that. We know that at base value. And we also know that that was the time period that was a lot of violent Earth changes were happening based on Ice core samples, the same destructive time period during the younger dry ass period around 12,000 years ago when they did when they went down and covered those layers. Remember, we're told that every civilization is simply nomadic hunter-gatherers, and they just, in terms of Gobekli Tepe, that what mainstream archaeologists tell us is that this group just happened to decide to stop hunting and hang out there.

for a few years and build the most sophisticated astronomical Temple ever built. That makes a lot of sense, right? But what makes more sense is when you go down through the layers, you find that in the layers right below where this construction was done, we do find hunter-gatherer evidence, extensive hunter-gatherer evidence. There were hunter-gatherers moving through this region, but then right above it, within a very, very short amount of material, only within years, say, of a material that could have been accumulated, we see all the sophistication that comes out of nowhere. Agriculture starts getting practiced, cities are built, we find sophisticated societies emerged on this site out of nowhere, seemingly out of nowhere. And what do we find on that pillar? Those handbags shown like if you were, let's say, you were a hunter-gatherer group, you were living in that region hunting wild animals and just living off the land, and all of a sudden, this group of enlightened individuals comes in and teaches you all of this wisdom and

knowledge they completely change the structure of your society. They give you all these tools, they give you understandings of, they teach you how to farm, they teach you about the cosmos, they teach you about consciousness. They give you all this information and knowledge, they give you the tools to create those civilizations, and then they leave. What are you gonna do? You're going to worship them. You're going to worship them, either them, where they came from, or even just celestial understandings of energy, and we'll get into that in a second. But now look what's below the handbag symbols. We see a vulture, okay? And we see a vulture who's got a circular round thing above his arm, and some have speculated that's a comet or an asteroid. Now look below the vulture, you see a scorpion. Now let me break this down. What I want to explain here and describe is notice on the left you have the handbag symbol in the top, and then you have the vulture and the scorpion. Now if we look at up in

the cosmos we find that we see strikingly similar similarities with what's known as Cygnus. It's the constellation of Cygnus and Scorpius that represent those depictions, and now they're in a very look at the alignment of them. Not only are they shown on this cosmological chart, they're in the exact same position to each other. Look at Cygnus and look at Scorpius below it. Now at the top, Cygnus is connected to a star. Look at the hand of or the wing of the vulture. There's a star right above its wing. That star happens to be called Deneb, and it's one of the brightest stars not in our region but the entire galaxy. One of the most illuminating stars in all of the galaxy happens to be right above Cygnus, but not just a coincidence. Think about the symbol of the Cross. Getting into symbols, the ancient cross, the most ancient symbol of all, which by the way predates Christian religions by

thousands of years. In fact, these Anunnaki symbols that we're going to show in these murals, they have the symbol of the cross on in many different places. It's one of the most ancient symbols of all. And to put this to bed too, the cross represents the crossing of energy, mind, body, and soul, the three ingredients for humans to reach Ascension. That's what has been taught all throughout history. It's still the teachings of Jesus in the Roman Christian Bible. There's good information there, but it originally came from a much earlier place. It represented the crossing of energy. And it just so happens that Cygnus represents a constellation of a cross, and one of the brightest stars in our entire galaxy happens to be the top of the cross, which would represent essentially Ascension. I find that incredibly interesting. So we find Cygnus and Scorpius in this depiction at Gobekli Tepe with

handbags right above it. Now, I'd like people to think about that for a little bit. What does that mean? Does that mean that they, those beings who provided? Does it mean that they're the ones who brought those tools? Those are just endless questions that go into that, but I want to leave people with that understanding of what's shown on that and how those handbag symbols are right above that. Now, there's one more incredibly interesting piece of the puzzle. Just so happens that Cygnus and Scorpius are in what's known as the dark rift of our galaxy. The dark rift is an area of the galaxy that has the highest amount of dark energy of our entire galaxy is in that location. For those who don't know what dark energy is, it's when you think of a system of balance as above, as below. You find when you look at something like the underworld and heaven, higher and lower dimensions, there's always balance no matter what. Dark matter would be like the equivalent of

the Underworld for our planet, but in the Galaxy, it is the other side of matter. Everything is always balanced. Now, guys, this is probably, I would have to argue, my favorite depiction of any mural in the world. It may seem silly, but something like this can answer almost everything. Think about all the stuff we've talked about. What does the pine cone mean? What does the handbag mean? They're right here, but we get a lot more information than just that. Now, guys, I'm gonna break this whole thing down, and this is where I think is going to help connect a lot of pieces for people, a lot of these clues that remain hidden now like a puzzle piece to try to put together this lost story of History. You take it one piece at a time, so once you know the pine cone means the passing of knowledge and wisdom, you put that piece in the place. Then you understand how they're holding this, the handbag. You put that piece into place. If you have the understanding that beings that have wings, it's supposed to

represent gods, ascended beings that are from other dimensions. You put that piece into place too, and what do you get? You get a depiction here that tells an entire story. It tells an entire story of what occurred in the past to create sophisticated civilizations. Now, let me break it down. Notice there's two individuals in the center that are surrounded by what's called the tree of life, and then there's two individuals on the outside, and then in the above the tree of life, you have the winged solar disc with Anu in the center, okay? Now, Anu is like running the wheels of this tree, this life-like balance. And the more you learn about the Anunnaki, the more you find that they're obsessed with maintaining balance. They did a lot of bad stuff here, but because of that, they had to do certain roles and responsibilities to regain that balance, and that's one of the obsessions they always have, no matter what you look at. That's why the tree of life is always depicted this balance of

life here, this balance of nature, the creation of life. It's all balanced by, according to them, the Anunnaki are in charge of that. That's their responsibility. Okay, now I used to think that this was supposed to depict all of the Anunnaki. All these are four Anunnaki. That's not right. That's incorrect. And it took me a long time to understand that. The way you know that is not just by the wings. Look at their what they're wearing on their heads. Notice that very carefully. Besides wings, the Anunnaki, if they're shown with their physical head, not a serpent or an eagle, they're always shown the same way. They have horns, ringed horns around their helmet, and they always have three. That's a status symbol for the Anunnaki. That means that the two individuals on the outer side, and it doesn't really mean on either side. Remember, it represents both sides, right? Balance, the four, the two on either end, and the two kings in the center. Now, notice the kings are the same height as the Anunnaki and

like I said, I think some things are supposed to be literal, right? Some things are symbolic, but other things are literal. They're the same height as the Anunnaki. Now, look, the Anunnaki aren't reptilian, remember? We're created in their image, not the other way around. We are them. So, therefore, look at all the Mesopotamian kings that are depicted all throughout history. When we look at Usher, when we look at King Hammurabi, we look at Sinach, when we look at Asherbanipal. Notice they look just like the Anunnaki, like they're imitating them, right? They have the long locks of hair, all braided. But what do they not have? Notice what's on their head. They don't have any horns. They have a completely different type of symbol on their head, and they don't have handbags or pine cones. You see that? It's telling you a story. I mean, so let me break this whole thing down. The Anunnaki had bloodline kings.

Offspring based on the neph, which are called the Nephilim. Okay, we know that when we look into the, we look into Genesis, we look into all Book of Enoch, all kinds of ancient stories from the past. It extensively talks about that, that Giants were once here, that ancient Kings really weren't what we thought they were. They were actually like bloodline Anunnaki Kings, from directly from their bloodline. And so what they, their Obsession here was to have their seed rule over the society. So these kings are direct bloodline Kings of the Anunnaki. They're being given the knowledge and wisdom to create civilization. Okay, and that's why they're depicted in the center around the tree of life. Now notice what they're carrying in their, in their left arm. They have what's known as the masculine Rod of kingship, of ruling. And it was always males that did that, did the majority of these ancient civilizations were males. There were some civilizations in parts of Africa that were run by females and

there were some areas of Africa that had female kings and priestesses, and that was an example in areas, but a majority of the time, it were these bloodline males, these masculine rulers, that would take over and rule society, and that's really what's being depicted here in the center. So, they have the masculine rod, and then look what they're doing, just like you see, they're pointing the way. It is their way and or nothing. They are handing down the rules and responsibilities that the Anunnaki gave to them, almost like an embassy that works for someone that's very powerful. They're the ones who are supposed to then use all that knowledge, the tools to create a civilization, the knowledge, the laws handed down to them, specific laws. It was all under one umbrella called kingship. Everywhere is the same phrase, kingship was lowered, kingship was lowered here, kingship was lost, then re-lowered, and we're gonna get into that in a second, but essentially, you have the Annunaki.

having these bloodline kings that they feel are superior, that should rule over the rest of society. They're telling them the way to create those civilizations and how to govern them. And in the center, you have the zory and Austrian symbol with Anu, who's basically pulling the wheels. He's on like almost like the bike of Life. He's the one who's in charge of all of the Anunnaki and balance. So when you put the whole thing together, it's like the Annunaki are creating a specific type of kingship civilization for our societies here in their image, in their likeness, in their mentality. Okay, and that's what I think is so interesting, though. If we go back a little bit, just notice how often they're depicted with an eagle head, though. Not a regular head and not a serpent head. It's actually quite rare. You do see it like with the, when I showed you in Laventa, the Olmec, how they show Khan coming up with the serpent. Yeah, it's

it's there, but it's much more rare. What does that mean? It means that the majority of the time, the Anunnaki, when they were creating these civilizations, created them to be warlike empires, which is why throughout history it's always been governed by war, because it's the easiest way to control civilizations and keep them in a lower state of consciousness. There's always been this battle of the Anunnaki where they didn't want us to become greater than them, and that's what a lot of these struggles have been. Relax.

You Won't Believe What They Mean!! What the Mysterious Pinecone and Handbag Symbols Really Mean

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솔방울과 핸드백은 지식과 문명 건설과 관련된 중요한 의미를 지닌 고대의 상징입니다.

이러한 상징은 시간이 지남에 따라 그 의미가 뒤바뀌고 왜곡되어 악마화되고 오해를 불러일으키기도 했습니다.

다양한 문화와 시대에 걸쳐 이러한 상징이 공통적으로 사용된다는 것은 무작위적인 인류 문명 발전의 내러티브에 도전합니다.

뱀과 독수리 머리 문양은 서로 다른 정신과 힘을 상징하며, 독수리는 전쟁과 통제를, 뱀은 지식과 지혜를 상징합니다.

아눈나키족은 전쟁의 신 나네르타가 독수리 머리를 하고 있는 등 그들의 영향력과 힘을 전달하기 위해 이러한 머리 상징으로 묘사되어 있습니다.

솔방울은 지식과 인식을 나타내는 상징으로 아눈나키 부족의 그림에 반복적으로 등장하며 바티칸에서도 두드러지게 등장하여 종교적 권위에서 솔방울이 갖는 의미를 강조합니다.

말리의 도곤 부족은 별과 천체의 움직임에 대한 고도의 지식을 가지고 있었기 때문에 그들의 지혜의 원천에 대한 의문이 제기되었습니다.

도곤, 솔방울, 핸드백의 상징성

도곤족이 모자를 쓴 수생 뱀과 같은 모습의 아와나스를 묘사한 것은 고대 지식의 전승을 상징하는 교황의 연귀모와 관련이 있습니다.

솔방울은 송과선과 자연의 지적 설계와 연관된 지혜와 지식의 보편적인 상징입니다.

전 세계 거석 구조물에서 발견되는 핸드백 문양은 더 높은 지식과 지혜의 전달을 상징하며 솔방울의 의미와 연결됩니다.

핸드백은 문명을 창조하는 데 필요한 도구를 상징하고 솔방울은 지식의 전승을 상징합니다.

이러한 상징은 역사적으로 선진 문명의 설계와 통치에 영향을 미친 개인과 밀접한 관련이 있습니다.

12,000년마다 주기적으로 발생하는 재앙적인 사건으로 인해 이러한 문명은 사라졌고, 거석 구조물과 설형 문자가 그 흔적의 일부로 남아있을 뿐입니다.

문명을 이해하는 데 있어 고베클리 테페의 중요성

터키에 위치한 고베클리 테페는 문명을 만드는 데 필요한 도구를 상징하는 핸드백을 들고 있는 43번 기둥이 맨 위에 있는 거대한 T자형 기둥을 특징으로 합니다.

이 유적지에는 11,800년 전의 유기물 층이 남아 있어 격렬한 지구 변화와 맞물려 인류 역사를 이해하는 데 매우 중요한 역할을 합니다.

이 지역의 수렵 채집 증거에서 정교한 사회와 농업으로의 급속한 전환은 지식과 지혜가 갑자기 유입되어 주류 고고학적 서술에 도전하고 있음을 시사합니다.

천상의 존재가 제공한 고대 지식과 도구가 인류 문명을 형성한 것으로 여겨지며, 이러한 존재에 대한 숭배로 이어졌습니다.

고대 그림에서 핸드백 아래의 독수리와 전갈 문양은 황소자리와 전갈자리 별자리와 일치하여 우주적 연관성을 암시합니다.

독수리 날개 위의 밝은 별 데네브와 고대 가르침에서 십자가의 상징은 모두 에너지의 교차점과 인간 승천의 길을 상징합니다.

균형과 지식에 대한 벽화의 묘사

이 벽화는 솔방울과 핸드백 같은 주요 상징물을 통해 삶과 지식의 균형을 상징합니다.

아눈나키족은 균형을 유지하는 데 집착하고 생명의 창조를 책임지는 중심 인물로 묘사되어 있습니다.

벽화 속 왕들은 아눈나키를 모방하지만 독특한 상징이 없어 혈통 계승과 영향력에 대한 이야기를 들려줍니다.

아눈나키의 후손인 네피림은 거인이자 고대 왕으로 여겨졌으며 아눈나키와 혈통적으로 연결되어 사회를 지배했습니다.

이 남성 통치자들은 문명을 창조할 수 있는 지식과 지혜를 받았으며, 남성적인 왕권의 지팡이를 들고 길을 가리키는 모습으로 묘사되었습니다.

아눈나키족은 인류를 통제하고 낮은 의식 상태로 유지하고자 하는 호전적인 사고방식이 문명에 영향을 미쳤습니다.