The first scene is when Hassan was raped by Asif while Wali and Kamal pressed Hassan to the ground. Hassan went to the alley to get Amir's kite and Asif coerced him to give him a mirror's card. As a result, Hassan refused to give it to

him as it was precious to Amir. Asif asked him in a sarcastic way if Amir would do the same for him because he is just a Hazara. Hassan insisted that he and Amir are friends. He had to accept being molested

so that he can have the card in return. While Amir ran away, the first scene shows betrayal, violence, and rape themes as Amir betrayed Hassan by not protecting and standing up for him as he was getting raped. A motif is repeated throughout the whole novel, re-precursed throughout the novel.

The most significant instance was Hassan's rape, which is the source of Amir's guilt here. Ripper presents physical and mental domination of those who don't have power by those who do. The use of camera angles and light in each scene adds a sense of forward

momentum and adds energy in which viewers are allowed the experience to feel and engage in the action. During the first scene, Hassan getting raped by Asif, the intense music, dark light, and vigorous camera angles on a wedding clay makes the viewer feel like in the moment

and sees the energy being displaced by the scene. Because Amir is a coward, he watched his friend getting raped and did absolutely nothing. The second scene shows violence, rape, and politics and society themes since the Soviet Union invasion in Afghanistan led to violence

against Afghans, the Russian soldier wanted to take the woman to rape her in order for the car to move and threatened to shoot Baba when he stood up for her. The second scene was about Baba protecting an Afghan woman from being

raped by the Russian soldier. Baba stands up and tries to shame the Russian soldier, but he says there is no shame in war. Baba still won't stand aside and the soldier threatens to shoot him. Amir tries to get Baba to sit down, but

he pushes Amir away just before the soldier shoots him. Another Russian stops him when the truck starts moving again. The young woman's husband kisses Baba's hand. Baba's fearlessness shows that his masculinity will be the cause of his

death someday. Baba protected the woman from getting raped even though he didn't know her. This is a recurring theme throughout the novel. The most significant instance included Baba stopping the rape of the woman in the truck. The use of camera angles and light in each scene adds a sense of forward

momentum and adds energy in which viewers are allowed the experience to feel and engage in the action. During the second scene, Baba protecting the Afghan woman from getting raped, tension and suspense was immensely conveyed. The way the camera angles were moving toward

an outward of Baba's appearance was creating a sense of apprehension in which when he was protecting the woman, it made us viewers feel his brave presence as a male. This shows a contrast between Amir and Baba because Amir is the coward. He

watched his friend getting raped and did absolutely nothing. On the other hand, Bubba's fearlessness shows that his masculinity will be the cause of his death someday, as Baba protected the woman from getting raped even though he didn't know her.

The Kite Runner (contrast between Amir & Baba)

Mariam Magdy

하산은 아시프에게 강간당하고 왈리와 카말은 그를 붙잡습니다.

아시프가 하산에게 귀중한 연 관련 아이템을 요구한 후 강간이 일어납니다.

강간 중 아미르의 무반응은 배신과 폭력이라는 주제를 강조합니다.

강간은 힘 있는 자가 힘없는 자를 지배하는 권력 역학 관계로 표현됩니다.

영화 기법(카메라 앵글, 조명, 음악)은 장면의 임팩트를 강화합니다.

이 장면은 소련의 침략으로 인한 폭력과 정치적 주제를 묘사합니다.

바바는 러시아 군인이 아프가니스탄 여성을 강간하는 것을 막기 위해 개입합니다.

바바는 총을 쏘겠다고 위협하는 군인과 맞서고, 다른 군인이 공격을 막습니다.

바바의 용맹함은 아미르의 비겁함과 대조를 이룹니다.

영화 기법은 다시 한 번 장면의 감정적 효과를 강화합니다.

카메라 앵글은 바바가 개입하는 동안 긴장감과 서스펜스를 조성합니다.

바바의 용감함은 하산이 강간당하는 동안 아미르의 무반응과 대조를 이룹니다.

바바의 행동은 그의 용감함으로 인해 그가 죽을 수도 있음을 예고합니다.