진정한 피치 개발하기: 뮤지션을 위한 테크닉

### 진정한 피치 개발하기: 뮤지션을 위한 테크닉과 인사이트
* 🎶 완벽한 음정의 발달은 두뇌 발달의 5단계에 걸쳐 이루어지며, **2단계(출생부터 6세까지)**가 이 능력을 확립하는 데 중요한 시기입니다.
* 🧠 "여기서 완벽한 음정이 발달했는데 **0세부터 6세까지 음악적 훈련을 받지 않았다면 운이 없는 것**"이라고 생각할 수 있지만, 나중에 음악적 기술을 개발할 수 있는 다른 경로가 있습니다.
* 🎷 연사는 음악을 배운 개인적인 경험을 공유하며, **정식 교육 없이도 음악에 노출되는 것만으로도 음악적 발전**을 이룰 수 있다고 강조합니다.
* 🎵 상대 음정은 기준을 바탕으로 음을 식별하는 능력이며, 재즈 악기 연주자 션 월리스가 만든 **진정한 음정은 한 가지 악기를 꾸준히 연습**함으로써 개발할 수 있습니다.
* 🎹 전자 악기에는 음을 구분하는 데 도움이 되는 고유한 음색이 없기 때문에 뮤지션은 **진정한 음정을 개발하기 위해 라이브 악기에 집중**해야 합니다.
* 🔊 한 악기를 꾸준히 연습하면 **각 음과 관련된 고유한 음색**을 외울 수 있어 소리에 대한 이해가 깊어집니다.
* 🧘 정신적 연습은 음악가들이 물리적으로 악기를 연주할 수 없을 때에도 계속 발전할 수 있게 해주는 **중요한 기술**로 강조되고 있습니다.
* 💡 연사는 **"내가 할 수 있다면 누구나 할 수 있다"**며 음악가들이 악기를 배우는 데 시간을 투자하는 동시에 음악적 능력을 향상시키기 위해 정신적 기술을 사용할 것을 권장합니다.

진정한 음정은 하나의 라이브 악기로 꾸준한 연습을 통해 누구나 개발할 수 있습니다.

So you want perfect pitch? So from the moment you're born to the time you die, your brain develops in stages, five stages now. In stage two, from birth to six, this is where perfect pitch is thought to be originated from. It is at this stage where the things you do here

become permanent and your instincts in your lifestyle, either permanent or seriously deeply ingrained in you for the rest of your life, including musical training. Once this stage is over, it is impossible to go back. That's why often a lot of times we say kids soak up

information when they're so young because it's true. So if perfect pitch is developed here and you haven't had musical training from your zero to six, you're out of luck, right? Nope. If you're anything like me, when you're from zero to six, you probably weren't

playing music. You were probably eating dirt or playing Super Smash Brothers. I have a dad who always played guitar, even when I was a kid, but he never sat me down and said, "Hey son, this note is an A, this note is a C, here's the major scales,

here's all twelve keys." He just played awesome rock and roll music a lot. That's not really musical training, of course. As I got older, I wanted to join band because my brother played drums and I wanted to play drums, but before I joined percussion, I was required in my band

program to play a wind instrument for six weeks. So that's what I did and I picked the saxophone. Eventually, I started to really like the saxophone, so I said, "I don't want to do percussion anymore." And I can very distinctively recall a time where I tried to recall a

note without any instrument and I've tried to say what that note was. It went a little like this. All right, here I go. Let me press the note [Music] See, sometimes I'd be a whole tritone off, but now, so let me just click a bunch of

random notes to clear any reference in my brain. Now I'm gonna close my eyes, looking away, and I'm just gonna wiggle my finger and click the first note. G, alright [Music] A flat, all right. Yes, you're not convinced. This - one more. Just worse. That note doesn't

e. It wasn't easy, but how, like I said, when I was six I didn't have any musical training. I just heard music, as I'm sure you did. So, is it a relative pitch? Well, relative pitch is when you have a reference. So if you're in a choir or just experimenting

and you know C is C first, but you have to hear it. So now you have this pitch as a reference in your mind. Now, from then on with the use of knowing your intervals, you can assume what every other note is. So, knowing this is C, I can

say, "Oh, that is the sound of a V." So V from a C is a G. Dou, aa minor seventh, dominant seventh, that is a B-flat. Ah, a relative pitch. I think when learning improvisation, this relative pitch, knowing your intervals, this is much more

important than being a perfect pitch. But this is not a relative pitch tutorial, but through the use of interval training and classes, everyone's relative pitch can be developed. Everyone has relative pitch, but what I demonstrated, see that's not relative pitch. I didn't need a reference. Now, I'm not gonna call

a perfect pitch because people who are born or develop perfect pitch at this stage - of brain development describe pitch as something as instinctive as knowing your colors and I don't have that and I'm guessing if you're on this video you don't have that either however

I am able to tell you what key any song is in just by hearing it this is especially useful if you're on a gig and they call a tune in but they don't tell you what key it's in and you don't want to fiddle around on your horn to figure

out what key it is and you just know just by hearing the tonic just by hearing the first chord or the first few chords however I do see timbre as color and I'm sure you do too you can easily tell a flute from a saxophone without even looking at it you

could tell a clarinet from a trumpet so what is it if it's not perfect pitch or relative pitch what is it jazz instrumentalists Sean Wallace has coined the term for this he has called it true pitch true pitch I believe can be developed by everyone but what it

does require is an instrument that you play consistently or every day or basically remain an instrument and it has to be the same instrument that you play they say you play piano if you if you're playing a different piano every day like you're playing this piano in

this house then you go over here and then you play this one for like two weeks and then you go to the Antarctica you play there grand piano you're gonna have some problems developing this for me this instrument that became my ultimate true pitched source was the

alto saxophone I played it every day still play it as often as I can yours can be clarinet there's gonna be trumpet it doesn't matter what instrument what matters is that it's the same personal instrument that you are accessing every day however you are

gonna have the most trouble on developing this through an electronic instrument and I'll get to that in a second live instruments like wood instruments or brass instruments strings are highly imperfect I think we all could agree on that there are so many variables and

factors that creates the timbre of a sound variables such as the length of - how the air vibrates inside the tube everyone's own built-in exclusive DNA when it comes to their muscles for their embouchure if you research acoustics and

live instruments it'll explain how every single note has their own individual phenomenon giving you this exclusive flavor timbre - every note every single note of every instrument even if it's one thin the same instrument is going to create a different timbre

it's these inconsistencies within the timbre of every individual note of a live instrument that we'll be using to our advantage while using an electronic instrument is kind of disadvantageous is because that each notes timbre of an electronic instrument is kind of the same this lack of

imperfection is gonna make it a bit hard to distinguish what note is what because it all sounds the same so in developing true pitch we're not actually going to be focused on the actual pitch we're gonna be focused on the sounds of the

tambourine so before we get started I need you to choose one instrument that will be your source of true pitch. It's okay to play a bunch of instruments but choose one for your source of true pitch. It doesn't matter as long as it's a live instrument you have.

The best chance it's important that it's the same instrument that you're gonna keep playing over and over because say you're a clarinet player you know that your clarinet has a lot of very tiny nuance differences than your best friend's clarinet that you just tried out the

other day. Once your true pitch is developed it's gonna stick. It's gonna stay in your brain so then you don't have to worry about sticking to your one instrument and starting all over and stuff. It's it's all good. It stays in your brain. Alright now I'm gonna go get

my saxophone and show you how I did it. The way I do it is that I pretend it's a voice. I ask what vowel isn't making one thing I do need to make clear is that since you'll be memorizing tambours and

also their pitch as a byproduct it's important that you memorize the right pitch so I completely recommend that you use a tuner just to reassure that you're accurate because it'd be a waste if you did all this memorize the tambours and

every note you memorize wasn't even the right pitch. You should use a tuner and not a drone because a drone helps you get rid of the sound waves that are created from playing out-of-tune with other people but in our case we're just trying to memorize the

pitch ourselves and be able to generate it I'm not gonna have a tuner in this video because my tuner is an app in this phone and I'm using the phone to record so alright so the first note I'm going to start off with is a C-sharp on the

alto saxophone or concert what does that sound like to you to me that sounds like [Music] like an A H now let me try a concert F just up a half-step times like a nasally narrow oh that's a thick note on the

saxophone now let me combine the two [Music] notice it's not gone and no it's not going oh it's corn ah it's very important to memorize let's try another one let's try a flat I see on here that's to me that's

making it sound [Music] it's not going that doing he was corn [Music] and every single note has their own distinctive one because of all the factors inside and all the factors from your embouchure and what you want to do

is really get in touch with yourself and your instrument and figure out what is every timbre on your instrument when you play it everyone has a personal sound figure out yours and memorize [Music] Tambor's man Tambor's everywhere now I

demonstrated classical saxophone because that's what I started off from so that's where mine originated from that was my true pitched source yours could be something totally different now the more and more in tune you get with yourself in your instrument and your personal

sound you'll start to replicate your own sound without your instrument you'll be able to hear it crystal clear in your mind Now if you have any experience transcribing what this true pitch is is basically you playing a note and you transcribing it in your head you know

how transcribing is you kind of fiddling around until you find the note that's what true pitch is pretty much is it's just the more and more you do it the faster it is So on those perfect pitch demonstrations that I gave you towards

the beginning of the video this wasn't going on through my mind Oh my god I see a color I see a color It's a C I can just play the saxophone in my head and it's exact pitches So I'm transcribing the note I hear I'm making a rough

estimate at first and then I fiddle around till I find the note and then I tell you the note as this technique involves you'll find that you can now play your instrument in your head and this is a very useful technique There was a study of two baseball players they

had one practice without batting and another one practice with batting and the guy who just mentally practiced and proved only 2% less than the guy who actually did the motions Now that's saying a lot of course actually doing it it's going to outperform not doing it and just

thinking about it doing it But say hey you're on a vacation say you're on a family trip or you're on the airplane and you can't practice for three days you can just mentally practice it's much better than not practicing at all Arguably the best cello player in the

world had an injury for months and he admitted himself in an interview that he mentally practiced in the hospital bed the whole time and look his chops never left him but how can you mentally practice if you can't hear the notes well with this troop it's method you

can't hear the notes in your head very vividly to you it's good to think about the fingerings as well as the pitch that comes with it the more you do this exercise that I showed you the more and more apparent it will become and the

more natural it'll feel and pretty soon you won't even have to think about it I've transcribed whole solos on paper without my saxophone in my hand it's a very useful technique and I think everyone can benefit off of it now I do

have to admit that true pitch or perfect pitch does not make you a better jazz improviser it just makes the transcription process a lot easier and it makes it a little more convenient when you're trying to figure out the key of a song still got to get your reps in

you still got to learn your vocabulary you still got to listen to the Masters there's no skipping that and just because you can hear the notes in your head does that mean that you should stop playing your saxophone I mean you still got to develop your muscles every day

there's nothing that's gonna trump actually playing your instrument it's just a great substitute to be able to mentally practice when you just absolutely can't get to your instrument right now all right I hope you found this video helpful I know you can do it

everyone can do it if I can do it I know everyone can because I am nothing I'm using an iPhone app to edit these videos and it would be a huge help if you donated to my PayPal the links in the description just so I can invest in

a better editing program because I got a new laptop but now I'm broke again because of that laptop if you could help me out that'd be awesome if not that's fine alright thank you for the 500 subscribers by the way freaking awesome

How I Taught Myself Perfect Pitch (True Pitch)

Saxologic

완벽한 음정은 출생부터 6세 사이에 시작되는 것으로 알려져 있습니다.

이 단계에서 개발된 기술과 본능은 깊이 뿌리내리고 있습니다.

유아기의 음악 훈련이 부족하다고 해서 나중에 음정 기술을 개발하는 데 방해가 되지는 않습니다.

연사의 경험에는 체계적인 교육이 아닌 비공식적인 음악 노출이 포함되었습니다.

화자는 기준 음정 없이 음을 식별하는 능력을 보여줍니다.

상대 피치는 다른 사람을 식별하기 위해 참조 노트에 의존합니다.

상대 음정은 간격 지식을 사용하여 레퍼런스를 기반으로 음정을 결정합니다.

즉흥연주에서는 완벽한 음정보다 상대적인 음정이 중요합니다.

화자의 능력은 상대 음정이 아니므로 참조 음표가 필요하지 않습니다.

완벽한 음정은 화자의 능력과는 달리 본능적인 것으로 묘사됩니다.

스피커는 참조 없이도 노래의 키를 식별할 수 있습니다.

스피커는 음색(톤 색상)을 쉽게 구분합니다.

진정한 피치는 션 월리스가 만든 용어로, 발표자는 누구나 달성할 수 있다고 믿습니다.

같은 악기를 일관되게 연주하는 것은 진정한 음정을 개발하는 데 매우 중요합니다.

진정한 피치 개발하기: 악기 선택 및 프로세스

라이브 악기는 음색에 내재된 불완전성 때문에 선호됩니다.

라이브 악기의 음색 불일치는 음을 구분하는 데 도움이 됩니다.

전자 악기는 음색이 일정하지 않기 때문에 덜 이상적입니다.

음정 자체가 아니라 각 음의 음색을 암기하는 데 중점을 둡니다.

하나의 라이브 악기를 기본 소스로 선택하는 것이 좋습니다.

진정한 피치를 위한 실전 적용 및 연습

정확한 음정 암기를 위해 튜너를 사용할 것을 권장합니다.

화자가 음표와 모음 소리를 연결하여 시연합니다.

자신의 악기 및 개인 사운드와의 연결의 중요성이 강조됩니다.

화자는 악기의 각 음의 음색을 외우도록 권장합니다.

트루 피치를 사용하면 정신 리허설과 유사하게 음을 정신적으로 필사할 수 있습니다.

연사는 야구의 멘탈 트레이닝을 예로 들어 이점을 강조합니다.

실제 음정을 이용한 정신 연습은 고도로 숙련된 음악가들에게도 도움이 됩니다.

화자는 전체 솔로를 정신적으로 필사하는 것을 언급합니다.

트루피치는 필사를 간소화하지만 연습과 학습을 대체하지는 않습니다.