공연에서 즉흥의 기술

### 즉흥의 기술: 순간의 창의성 수용하기
* 🎤 "즉흥 연주는 저에게 있어 존재의 중심"이며, 언제든 어떤 상황이든 재구성할 수 있게 해주기 때문에 제가 매우 사랑하는 것입니다."
* 🎶 연사는 즉흥 연설의 중요성을 강조하며, **즉흥 연설은 종종 두려움의 대상**이 되기도 하지만 **일상적인 대화와 경험의 자연스러운 일부**라고 설명합니다.
* 💡 그는 **진실은 서로 다른 인식의 교차점**에서 발견된다고 설명하며, 순간을 의식하고 자각하는 것의 중요성을 강조합니다.
* 🎭 그는 영화 "비행기!"에 비유하여 삶이 어떻게 **모든 것을 재맥락화할 수 있는 즉흥적인 순간의 연속**으로 볼 수 있는지를 설명합니다.
* 🎧 연사는 **비트박스 루프를 만들어 즉흥 연주**를 라이브로 시연하며 창의적으로 사고하고 환경에 적응하는 방법을 보여줍니다.
* 그는 미리 정해진 지침 없이도 새로운 것을 만들 수 있는 **해체된 레고 상자**를 가지고 노는 것에 비유하며 청중에게 창의력을 발휘할 것을 권장합니다.
* 🎵 그의 공연에서 그는 **비트박스와 랩을 결합**하여 즉흥성이 예상치 못한 즐거운 결과로 이어질 수 있음을 보여줍니다.
* 👏 강연은 모든 사람이 자신의 삶에서 자유롭게 즉흥 연주를 하도록 초대하는 것으로 마무리되며, **창의성은 언제나 접근 가능**하다는 점을 강조합니다.

즉흥성은 개인이 예측할 수 없는 인생의 순간을 창의적으로 헤쳐나갈 수 있도록 도와줍니다.

(Accent) Thank you, ladies and gentlemen. Certainly, it's a pleasure to be back here. All of you guys here? Certainly a special show here, TED. You know, TED is one of those places. Makes me feel like I'm somewhere. And that means something these days. (British accent) Now, people ask me, why start like that. (Laughter) I don't really have an answer, but all I can say is that I'm really motivated by something called improvisation. Many of you are familiar with improvisation because you've heard the word, and sometimes -- (Laughter) sometimes, that's enough. (Laughter) But what is it, really? Improvisation? Why am I speaking like this? (Laughter) How do I really sound? (Low voice) I don't know. But I try, as much as I can, to be as truthful about who I am in the moment,

even if I'm using different voices. I know that there are times (Normal voice) when some of us are wondering what is truth and what isn't. But here's a quick summary. Truth is the intersection of two different things that are constantly colliding for no other reason than the fact that they need to collide in a moment of perception. Why does perception come into it? Because that’s super cool, and no one loves perception more than people who are conscious. (Laughter) So I've been dealing with improvisation all of my life. It's hard for me to write things down. TED was so gracious to allow me to come up here on the stage, when they keep asking, Can we see that script? And I was like, I'm sorry, I don't have that. But after I perform it, then you'll have that. (Laughter) But they've been so kind to just trust me and let me come up here and do my thing.

I wanted to explain a little bit about improvisation in the way I think of it as I'm doing it, which is, improvisation, to me, is something that some people are very fearful of when they think about going up and just speaking on the fly. But in actuality, you're doing it all the time. A conversation that you're having with a friend is improvisation, unless it's scripted, and that would be a weird friendship -- (Laughter) but I suppose those do exist. (Laughter) Improvisation is something that I love very much because it is the center of existence to me, and for me, that allows me to reformat any situation at any given time. Because I do think about situations where you might feel imprisoned in some way. Perhaps you did something strange, and it wasn't thought of as very cool, and then you end up in prison.

(Laughter) You always have your mind, and you can always recontextualize anything at any given time. And so I think that's how I lead my life. You know, there's a scene out of the Airplane! movie. I don't know if you guys remember this movie Airplane! by the Zucker brothers. There was a moment where one of the air-traffic controllers was handed a piece of paper, and the person said, What can you make of this? And they say, I could make a hat, a brooch, a pterodactyl ... (Laughter) And that's how I lead my life. (Laughter) Anything can be anything at any given time. You don't have to accept things for face value. And so because of that, I do things that I really enjoy that may not necessarily exist, but I try to bring them out if I can. So I'd like to show you an element of improvisation.

that I would like to show you, as I've just said. (Laughter) So we're at this station right here, and I'm going to start by doing something like this. (Beatboxing) (Beatboxing on loop) Because this is looping, it gives me time to think about what I want to do next. So I think I'll probably add, who knows, maybe a bass-like thing. So let's see if I can remember what a bass looks like. OK, now that'll tell me what it sounds like. (Recording new beatbox loops) Now maybe I'd like to subdivide. (Recording new beatbox loops) And then, I might just stop. (Loops stop) (Laughter) So what is interesting about improvisation is that you can constantly do it, all the time. So if you're ever in a situation where you hate where you're working, just realize that you're constantly improvising,

Even when you have to go to reach for a pencil on the desk, you're still thinking about how you're going to do it. Sometimes, it's a huge ordeal. You have to actually lift your hand from where it was resting on your lap and avoid the desk, because if you just raised your hand, you would just come in contact with some wood. And then, you move around that, navigate it, and grab that pencil and know where it is and the feel of it so that you know that you're grabbing the right thing if you're not looking at it while gracefully handing someone something from another desk. So, with that, I would like to demonstrate how that comes into being by doing this. (Recording a low-tone loop) (Vocalizing) (Rattling sound) (Vocalizing) (Shorter vocalizations) (Stops low-tone loop) So again, that's an example of a way that you can --

(Applause) Sample the environment around you. So, this is what I expect all of you guys to be doing at the end of this session. (Laughter) All the things that you're hearing, just remember them and reflect them back in a way that you think is creative, as though you've been given a box of LEGOs that have been dismantled and no longer a part of any particular package that you bought previously, so the instructions make no longer any sense, and just dump them on the ground and see what you can come up with. Now, because of that principle, I have adapted three out of six of the former principles that I used to talk about at TED Talks. And this is my seventh TED Talk. I usually skip the last two, and I'm going to include these two right now, by going back two measures in time and reallocating that space in a way that might be a little bit more comprehensive to some of you.

who are wondering what exactly is happening. (Laughter) (Playing a bass-drum loop) I don't know if you remember this song, but I think it'll come back pretty quick. (Playing a bass-drum loop) (Adding a synth loop) (Beatboxing on loop) Yeah. Yeah, right. (Rapping in a British accent) All the people at TED, doing all that they do, when they're doing it well, like technology, yeah, it's really cool and stuff. I like my entertainment and my design as well. Yo, I'm launching satellites to monitor the methane, everyone's looking, they're looking at all the methane. You can't complain if you're monitoring the methane. The methane is the method of the madness, you know, light a match. See what happens with that methane? You never know. Sometimes it makes you go insane. The methane is the answer. I think it may be, I don't know. Listen --

(Vocalizing) (Vocalizing echoes) (Vocalizing) (Vocalizing more quietly) (Heavy breaths) (Vocalizing and loops stop) So now you can improvise any time you want. Have a good time. Thank you. (Cheers and applause)

Everything Is Improvisation — Including This TED Talk | Reggie Watts | TED

The TED Talks channel features the best talks and performances from the TED Conference, where the world's leading thinkers and doers give the talk of their lives in 18 minutes (or less). Look for talks on Technology, Entertainment and Design -- plus science, business, global issues, the arts and more. You're welcome to link to or embed these videos, forward them to others and share these ideas with people you know.

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연사는 TED에 참석하게 된 것에 대해 감사를 표하고 즉흥의 개념에 대해 이야기합니다.

다른 목소리를 사용하더라도 그 순간에 진실한 것이 중요하다는 점을 강조합니다.

연사는 대본을 쓰는 데 어려움을 겪어왔으며, 대본 없이 공연할 수 있게 해준 TED의 신뢰에 감사를 표합니다.

즉흥적인 대화는 일상 생활에서 흔히 볼 수 있는 부분으로, 대본에 없는 대화에서 흔히 볼 수 있습니다.

즉흥은 상황을 재맥락화할 수 있고 관점을 바꿀 수 있는 자유를 제공합니다.

화자는 즉흥을 삶의 원칙으로 삼아 무엇이든 언제든지 재정의할 수 있다고 믿습니다.

즉흥성은 연필을 잡는 것과 같은 일상적인 작업에서도 끊임없는 과정입니다.

연사는 비트박스와 반복되는 사운드를 통해 이 개념을 보여줍니다.

순간순간을 탐색하고 적응하는 능력은 즉흥 연주의 핵심 요소입니다.

창의적 성찰과 아이디어의 재배치

연사는 청중이 자신의 환경을 해체된 레고 상자에 비유하며 창의적으로 성찰하도록 독려합니다.

이전 TED 강연의 원칙을 적용하여 현재 세션에 적용하고 있습니다.

연사는 음악과 비트박스를 사용하여 청중을 참여시키면서 메탄 모니터링의 중요성과 잠재적 영향에 대해 논의합니다.

이 공연은 메아리가 울리는 보컬과 거친 호흡으로 역동적인 분위기를 연출했습니다.

루프와 보컬이 서서히 멈추면서 즉흥 연주가 이어졌습니다.

관객들은 환호와 박수로 호응하며 공연의 즐거움을 드러냈습니다.