데미 무어의 새 영화: 노화와 자기 인식에 대한 탐구

데미 무어의 새 영화는 노화와 자기 수용을 탐구하며 관객들에게 큰 공감을 불러일으킵니다.

### 데미 무어의 새 영화 '더 서브스턴스': 노화와 자기 지각에 대한 대담한 탐구
* 🎬 데미 무어는 새 영화 '더 서브스턴스'에 출연하여 TV 쇼에서 해고된 후 **노화와 사회적 기대라는 가혹한 현실**에 직면하는 전직 A급 배우의 모습을 연기합니다.
* 💉 이 영화는 신비한 약이 더 나은 자신을 발견할 수 있는 기회를 제공한다는 매력적인 서사를 통해 **아름다움과 젊음에 대한 주제**를 탐구합니다.
* 💡 무어는 이 영화를 **'도리안 그레이'와 '죽음이 그녀에게'를 혼합한 작품**이라고 설명하며, 나이가 들면서 여성의 가치가 하락하는 문제를 다루고 있는데 이는 잘못된 생각이라고 생각합니다.
* 😱 이 영화는 강렬하고 잔인한 내용으로 유명하며, **무어는 칸에서 13분간 기립 박수**를 받는 등 극찬과 오스카상 화제를 불러일으킨 연기를 펼쳤습니다.
* 🌟 61세의 무어는 특히 신체 이미지에 대한 사회적 압력에 맞서 **자기애와 수용의 중요성**을 강조하며 인생의 이 시기에 대한 설렘을 표현합니다.
* 👩 가족을 돌아보며 **할머니가 된 기쁨**과 자녀가 성장하면서 느끼는 **독립심**에 대해 이야기하며 **자신의 길을 다시 정의**할 수 있었습니다.
* 💔 무어는 자신의 신체 이미지에 대한 어려움을 솔직하게 이야기하며, **아름다움에도 불구하고 자신 역시 부적절하다는 느낌**과 **외부 기준에 부합해야 한다는 압박감**에 시달렸다고 털어놓습니다.
* 🎉 대화를 마무리하며 그녀는 **'세인트 엘모의 불' 출연진과의 재결합 가능성**에 대한 희망을 밝히며 향후 프로젝트와 협업에 대한 열정을 드러냈습니다.

>>> WE ARE BACK. IT'S 8:13. HOW EXCITED ARE YOU? >> I'M SO EXCITED. >> WE'RE EXCITED BECAUSE WE'RE SITTING HERE WITH THE LEGENDARY DEMI MOORE. >> THE LEGEND WILL GROW WITH THIS NEW MOVIE OF HERS. SHE STARS AS A FORMER A-LISTER WHO WAS FIRED FROM HER TV SHOW FOR BEING TOO OLD. WELL, DOWN AND OUT, SHE COMES ACROSS AN OPPORTUNITY TO CHANGE HER LIFE WITH A MYSTERIOUS NEW DRUG. TAKE A LOOK. >> HAVE YOU EVER DREAMT OF A BETTER VERSION OF YOURSELF? YOUNGER, MORE BEAUTIFUL, MORE PERFECT. ONE SINGLE INJECTION UNLOCKS YOUR DNA, STARTING A NEW CELLULAR DIVISION THAT WILL RELEASE ANOTHER VERSION OF YOURSELF.

THIS IS THE SUBSTANCE. >> THIS IS THE SUBSTANCE. >> GOOD MORNING. IT IS SUCH A PLEASURE TO HAVE YOU HERE. >> THANK YOU FOR HAVING ME. >> I'M VERY, VERY EXCITED BECAUSE I'M A HUGE FAN OF YOURS. HOW DO WE DESCRIBE THIS MOVIE? IT IS RIVETING AND SHOCKING, WOULDN'T YOU SAY? >> I THINK ALL OF THE ABOVE. THE VERY SHORT VERSION BECAUSE IT IS SOMEWHAT DIFFICULT TO FULLY ENCAPSULATE. AS I SAID, IT IS A LITTLE BIT LIKE THE PICTURE DORIAN GRAY MEETS DEATH BECOMES HER WITH A JANE FONDA WORKOUT. THAT'S KIND OF THE LOOSE VERSION. BUT I THINK IT REALLY IS A VERY UNIQUE WAY OF REALLY DELVING INTO A RELEVANT SUBJECT MATTER,

WHICH IS AGING, THE PERCEPTION, THE COLLECTIVE CONSCIOUSNESS OF WOMEN'S VALUE DIMINISHING AS WE GET OLDER, WHICH JUST ISN'T THE TRUTH. BUT IN THIS CASE, IT KIND OF IS REPRESENTING SOME OF THE OLD IDEALS. >> YES. I SHOULD JUST SAY IT IS VERY, VERY GORY AND BLOODY BY THE END. AND YOUR PERFORMANCE IS SO GUTSY AND BRAVE. WHAT DID YOU THINK WHEN THEY CAME TO YOU WITH THIS SCRIPT, WHAT'S REQUIRED OF YOU, WHAT THE SCRIPT -- WHAT IS UNFOLDING IN THIS MOVIE? YOU MUST HAVE BEEN TERRIFIED. >> IT WAS DEFINITELY SOMETHING THAT I KNEW WAS GOING TO REALLY PUSH ME OUT OF MY COMFORT ZONE. BUT IT HAD A LOT OF CHALLENGES, NOT JUST PHYSICALLY, WHICH THERE

IS A LOT OF THAT, BUT EMOTIONALLY, THE LEVEL OF KIND OF RAW VULNERABILITY THAT IT WAS GOING TO REQUIRE. BUT THE MESSAGE FOR ME THAT WAS SO POWERFUL IN THIS IS NOT WHAT'S HAPPENING IN THE CIRCUMSTANCES AROUND, BUT IT'S THE VIOLENCE THAT WE HAVE AGAINST OURSELVES. AND THAT'S WHAT I FEEL WAS REALLY POWERFUL IN THIS. >> WELL, IT SEEMS LIKE IT'S RESONATING WITH A LOT OF PEOPLE. YOU HAVE A 13-MINUTE STANDING OVATION AT CAAN. YOU'RE GETTING ALL KINDS OF RAVE REVIEWS. ONE OF THE MAGAZINES WROTE, THE PERFORMANCE OF YOUR CAREER. IT IS GETTING OSCAR BUZZ. I MEAN, ALL OF THIS AT THIS POINT IN YOUR LIFE. YOU'RE 61. I JUST TURNED 60.

I FEEL LIKE ALL KINDS OF NEW THINGS ARE HAPPENING. >> YES. >> WHERE ARE YOU AT THIS POINT LIKE IN YOUR LIFE AND CAREER? >> I MEAN, I FEEL LIKE IT'S -- FIRST OF ALL, I REALLY TRY TO BE AS PRESENT IN THE MOMENT AS POSSIBLE. >> YEAH. >> AND WHAT I FEEL FROM THAT IS AN EXCITEMENT OF POSSIBILITY THAT ARE REALLY -- THAT WE'RE DEFINING A NEW -- A NEW -- I DON'T WANT TO SAY A GENERATION, BUT WE ARE WHAT THE FUTURE IS FOR WOMEN. >> YEAH. >> AND I LOOK AT HAVING MY DAUGHTERS, AND I DON'T WANT THERE TO EVER BE IN THEIR MINDS THAT THERE IS AN END. TO ME, THIS IS THE MOST EXCITING TIME OF MY LIFE.

>> THE MOST EXCITING TIME OF YOUR LIFE? >> YES. >> THAT SOUNDS SO GOOD RIGHT NOW. >> IT IS. I FEEL LIKE MY CHILDREN ARE GROWN. I HAVE THE MOST INDEPENDENCE AND AUTONOMY TO REALLY RE-DEFINE WHERE I WANT TO GO. I DON'T KNOW WHAT THAT LOOKS LIKE OR WHERE IT IS, BUT I'M JUST EXCITED TO BE LIVING IN IT. >> AND IT REALLY -- IT KIND OF GOES ALONG WITH THE MOVIE BECAUSE THE MOVIE IS SO MUCH ABOUT, AS YOU SAID, THE VIOLENCE WE DO TO OURSELVES, THE HATRED WE COULD HAVE FOR OUR BODIES, THESE UNREALISTIC EXPECTATIONS THAT ARE PLACED UPON US. AND YOU LIVED IT. IT IS WONDERFUL TO SAY, AND I CAME OUT THE OTHER SIDE.

>> PART OF THE DYNAMIC IS I'M NOT ELIZABETH. THIS IS A WOMAN WHO HAS ONLY HER CAREER, ONLY -- ONLY THAT WHICH SHE'S PAVED THROUGH HER WORK. SHE HAS NO FAMILY. AND SO OFTEN, WE PLACE TOO MUCH IMPORTANCE ON THE EXTERNAL MARKERS. AND I THINK WHAT THIS IS REALLY ALSO TRYING TO SAY IS, YOU KNOW, WHERE IS OUR REAL PRIORITY? WHERE IS OUR REAL LOVE? WHERE DOES OUR REAL JOY COME FROM? IT CAN ONLY COME THROUGH THAT SELF-LOVE, SELF-ACCEPTANCE. >> WHAT'S INTERESTING WHEN IT COMES TO WHAT WE THINK ABOUT OUR BODIES, I WAS READING ABOUT YOU AND I THOUGHT, DEMI PROBABLY ALWAYS LOVED HER BODY BECAUSE EVERYONE WANTED DEMI'S BODY. YOU SAY NO. YOU WEREN'T IN LOVE WITH HOW YOU

WERE LOOKING. YOU FELT LIKE A LOT OF US. >> NO, NO. AND I ALSO PUT A LOT OF -- I PLACED A LOT OF VALUE ON WHAT MY BODY LOOKED LIKE AS BEING A DEFINING MARKER OF WHETHER I BELONGED OR NOT, WHETHER I COULD SUCCEED OR NOT, ALL OF THOSE THINGS, WHICH, AGAIN, IS A BIG PART OF THE THEME IN THE FILM, WHICH IT'S REALLY LOOKING AT. I THINK SOMETIMES PEOPLE HAVE LOOKED AT THIS AS REALLY EXPLORING THE IDEA OF WHAT THE PRESSURES OF THE EXTERNALS, LIKE WHAT IS SOCIETY -- WHICH DO EXIST. BUT AT THE END OF THE DAY, IT IS THE VIOLENCE OF HOW WE LOOK IN THE MIRROR, THE COMPARE AND DESPAIR THAT LEAVES US FEELING SO BANKRUPT.

>> WELL, THE IRONY IS, OF COURSE, BECAUSE YOU ARE A DROP-DEAD GORGEOUS WOMAN HERE AND IN THIS MOVIE AND YET COULD STILL GRAPPLE WITH THESE FEELINGS. I THINK PEOPLE WILL CONNECT WITH THAT VERY MUCH. LET'S ASK YOU ABOUT YOUR FAMILY. THE KIDS ARE GROWN UP NOW. YOU ARE A GRANDMA NOW. YOU ARE AN AWESOME GRANDMA. >> I LOVE IT. I AM YAYA. AND SHE IS THE CUTEST. RUMOR SENT ME A PHOTO WITH SPA GETTY ON HER HEAD. >> WE HAVE TO ASK YOU ABOUT SAINT ELMO'S FIRE. >> WE ARE ALL IN CONVERSATION. I THINK THE STUDIO HAS REALLY BEEN DRIVING THIS. AS FAR AS I KNOW, EVERYONE IS KIND OF IN AND GUNG HO. IT WOULD REALLY -- THAT WOULD BE

SO FUN. >> YEAH. >> PLEASE DO THAT. >> CAN YOU? >> WE NEED TO DO THAT. >> THANK YOU SO MUCH. >> MY PLEASURE. >> DEMI, THANK YOU SO MUCH. CONGRATS ON THE MOVIE. IT IS CALLED THE SUBSTANCE. PUBLIC SERVICE

Demi Moore talks ‘The Substance,’ her 60s, being a grandma

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데미 무어의 새 영화: 인생을 바꾸는 주사

데미 무어가 새 영화에서 나이가 너무 많다는 이유로 해고된 전직 A급 배우가 신비한 약으로 인생을 바꿀 기회를 찾는 역을 맡았습니다.

이 영화는 단 한 번의 주사를 통해 더 나은 버전의 자신을 위해 자신의 DNA를 깨운다는 개념을 탐구합니다.

무어는 이 영화가 '도리안 그레이의 그림자', '죽음이 그녀에게', 제인 폰다 운동이 독특하게 혼합되어 관련 주제를 다루고 있다고 설명합니다.

노화가 여성의 인식에 미치는 영향

여성의 가치에 대한 인식은 나이가 들수록 낮아지지만, 이러한 믿음은 오래된 이상에 뿌리를 두고 있습니다.

영화의 대본은 여배우에게 신체적, 정서적 취약성을 요구하며 자신의 안전 지대를 벗어날 것을 강요했습니다.

여성이 스스로에게 가하는 폭력에 초점을 맞춘 이 영화의 강력한 메시지는 관객의 공감을 불러일으키며 극찬과 오스카상의 화제를 불러일으켰습니다.

연사는 여성의 미래를 재정의하는 것을 목표로 자신의 삶과 커리어에 대한 흥분과 가능성을 느낍니다.

이제 자녀가 성장하여 새로운 방향을 모색할 수 있는 독립성과 자율성를 갖게 되었습니다.

화자의 여정은 자기 폭력, 신체 혐오, 비현실적인 기대를 다루는 영화의 주제와 일치하며, 궁극적으로 개인의 성장과 회복력을 강조합니다.

화자는 자기애와 자기 수용의 중요성을 강조하며 성공과 소속감의 외적 지표에 지나치게 집착하는 관념에 이의를 제기합니다.

화자는 이상적인 몸매를 가진 것으로 인식되지만 자기 수용에 어려움을 겪고 외모에 지나치게 많은 가치를 부여합니다.

이 영화의 주제는 사회적 기대의 압박과 비교의 부정적인 영향을 탐구하며, 외적 검증보다는 내적 성취의 필요성을 강조합니다.

데미 무어는 멋진 외모와 달리 깊은 감정과 씨름하는 것을 좋아하며, 이는 다른 사람들의 공감을 불러일으킬 것이라고 믿습니다.

그녀는 이제 야야라는 애칭을 가진 자랑스러운 할머니가 되어 손녀와 함께 시간을 보내는 것을 즐깁니다.

무어는 '세인트 엘모의 불'의 재결합 가능성에 대해 흥분을 감추지 못하며 스튜디오에서 대화를 주도하고 프로젝트에 참여한 모든 이들에게 감사를 표합니다.