버스 안의 긴장감: 용의자 수색과 오해

### 버스에서 용의자 수색 중 긴장감 고조
* 🚍 버스 안에서 경찰이 **빨간 머리를 한 용의자를 수색**하는 과정에서 대치 상황이 벌어지고, 승객들과 긴장감이 고조됩니다.
* 👮 경찰관은 승객에게 신분증을 요구하며 수사에 꼭 필요하다고 주장하고, 승객은 **부당하게 표적이 되었다고 느끼며 경찰관의 권한에 의문**을 제기합니다.
* 📞 혼란 속에서 경찰관은 잠재적으로 위험한 사람을 수색하면서 **상황의 긴급성**을 강조하며 지원을 요청합니다.
* 👜 버스를 자주 탄다고 주장하는 승객은 가방의 내용물에 대해 질문을 받았는데, **댄서라는 직업에 필요한 화장품만 들어 있었다**고 주장했습니다.
* 😡 승객이 계속해서 자신의 결백함과 수색의 타당성에 대해 항의하자 경찰관은 **"이건 아니다"**라며 불만을 표합니다.
* ⚠ 경찰관이 용의자의 인상착의와 행동이 의심스럽다며 **승객을 방해한 혐의로 기소하겠다고 위협**하면서 상황은 더욱 악화됩니다.
* 🚨 승객은 자신의 결백을 주장하며 억울한 누명을 쓰고 있다고 주장하며 **자신의 권리**를 주장했고, 경찰관의 접근 방식에 대해 격렬한 논쟁이 이어졌습니다.
* 🔒 결국 경찰관은 **승객의 무죄가 확인될 때까지 구금을 고집**했고, 승객은 그 과정에서 **부당한 대우**를 받았다고 느꼈습니다.

경찰관은 버스에 탄 여성이 무기를 소지하고 위험하다고 의심하며 공격적으로 대치합니다.

open up looking for a suspect pic or jumpsuit cause lady red hair. Have anybody seen um? I'm looking for a comment. What's what's all you have no okay listen I got a job. Have no right to search arm and okay that's not my problem. This is not okay. Do you have ID on you because I don't know to identify myself in this situation. Yes you do. It's important. I'm sitting on the do anything okay give me your ID. Okay whatever. I don't like your attitude. You're on a power trip today aren't you. No I have a my ID Amy. Amy you need to fix your attitude. That's really important right now. I'm looking for a suspect. Put your leg down okay. Don't touch me no Ain don't touch you. This is have anybody seen her orange jum can't miss it. Where's the other excuse me you excuse watch the attitude. I'm not going to tell you no more okay. You looking real suspicious at this point doing all that stand it on.

the bus. You excuse me. Excuse. Have you saw comment on red hair occasion. Why you got red hair. My it is. What's in your bag. What's in your bag. What do you got. Makeup for my work. I'm a dancer. A dancer. Is that weeds. Glasses. I mean this is real suspicious activity. Can I'm looking for a com. I'm doing my crossb right now. I'm doing a cross puzzle and you interruped me. Yeah this is not funny. This is not a joke to me. I'm looking for a. That's armed and dangerous. Have you saw red haasan lady orange. You don't know back in the back of the bus. We got. We got SP right here. SE shut so nobody can get in out of that. Is there any other areas or departments that I can be looking around. Why you shouting. She's armed in danger. Why look back. I what about this can do this open up. No that's seal. Her seal right back here. Right back here. Okay ma'am it seem like you're making my job even harder. Can you

go ahead and let me do my job and go back to the phone where you belong. This is my job. I understand that, but I have a job to do. I'm looking for a t all. Well, okay, uh, I didn't see anybody. I mean, I was uh, where are you? I need backup. All right, you don't want yeah, I don't see you, but I mean, I haven't got around. I'll help you. Give me a minute. Okay, come on, get here though. Shouldn't take that long. He was right behind me. You check the back at it all right. Hurry up, get here ma'am. You check, you can check under the seat, everything, every seat. There's a place where people hide. Can you please let me do my job? What the are you do? You belong at the front of the bus. Okay, get there. No one never said that to me before. I know, please. I got a job to, sorry everybody, I'm sorry, but we do have an escate. Exactly, and it's like you walk around small world puzzles. Go, go to the

front now all right you don't have to be so rude. You really don't have to be so rude. So um this your B. Okay let me ask you um what you what you okay you take the glasses off. I mean they say red hair. I mean is this okay what you doing. I'm trying to make sure it's not a weeding me. Don't touch my hair. Listen I'm looking for somebody with arm and danger. Okay I don't have time to be talking about Assa or nothing. I'm just trying to make sure this wasn't a wi you three times. Can you not touch the pass. Can you go to the front now. Go to the front. Go to the front to you have why. Why haven't you been here. You should have been here like you're going to get growed up. It don't take that long. We have a mission that we're on. A convict is on a run. This is very important. Yes I'm here now where you should have been. Yes guess I don't see.

so far, but I haven't made all the way to the front of the bus. Yes. Did you check underneath? Yes. Meet me at the spot. I'll let you know if something happened and like get the suspect. I will. I will let you know, but as of now, you're going to be V up for this. Yes. Yes. [Music] Goodbye. Hello. Hello, darling. How are you? Hi. How are you doing? I'm doing [Music] good. Where you where you on your way to? I I'm going to Oklahoma to see my nephew. Okay. Oklahoma to see your NE and I'm taking the city bu over to the grand house. Okay. All right. All right. All right. Um, You don't now we got to go. We got a roof. We got our roof. We got to go. Okay. Okay. On a roof now. [Music] What I got the phone. [Music] My you you thep. Okay. Turn around your hands off. All right. I'm going to need you the I'm what are you talking about. I ride this F every Friday. Okay. If

you have if you have nothing to be you will be let go but right now [Music] now no I don't think there's no reason to detain me. I haven't done anything. You have did a lot. You have been the most smartest. You have sat there and you everything about you your deina. It it shouts out gu. It's been all no this is this is what's hey. What are you doing? Get your hands off me. No, I'm going to need you to come with me. What are you doing? I didn't do anything. What are you doing? If you didn't do anything and you I ride the bus every to the front in my Y open the door. You got the open the open the door door. Don't open the door. I didn't do you want to go down. Do you want to go down telling you the door in a minute going to get a charge on you. Okay. I'm telling you to open the door. Open the door. I don't feel it's right. You're gotting the wrong person.

You got the wrong person. I have my partner to be coming. You get a charge on you. No, you can't charge me. I can charge you because you're not listening to what I'm telling you to do. The door, cry. Don't start crying. You've been back there talking nothing but trash. Me, open the door. Don't think it's she just take the bus every Friday. Do you want to be arrested with him? She takes the bus every Friday. I see her. I listen. Mind your business, okay? All of y'all are going to be charges placed against y'all if y'all don't mind y'all business. This lady sat back there. She fit the description, red hair. She's acting suspicious, bag full of all type of things. Something is just not adding up. Don't open the door, please. I can't. Door's open. Shut up. You know what? I'll be back for you 'cause you need it to. Oh wow, I can't believe what it's. It's not her. Like, I don't understand. Really, really officer. She just got off the bus.

Criminal on the bus

Chase McDowell

빨간 머리와 주황색 점프수트를 입은 한 사람이 수색을 받고 있어 긴장감이 감돌고 있습니다.

경찰관은 자신의 권위를 내세우려 하지만 질문 대상자는 방어적이고 비협조적입니다.

경찰관이 지원 요청과 수색에 도움을 요청하는 등 상황이 악화됩니다.

버스 안에서 한 사람이 다른 사람의 빨간 머리와 가방 내용물에 대해 질문하는 대화가 펼쳐집니다.

가방을 든 사람은 댄서라고 주장하며 업무용 화장을 하고 있지만 소지품이 의심을 불러일으킵니다.

대화는 한 사람이 무장하고 위험한 사람을 찾으면서 긴장과 좌절감을 불러일으키며 고조됩니다.

대화는 긴장과 무례함으로 가득 차 있으며, 한 사람은 상대방의 행동에 불만을 표출합니다.

'팔과 위험'이 있는 사람을 찾는 데 초점이 맞춰져 있으며, 도주 중인 죄수로 인해 긴박감이 느껴집니다.

상호 작용에는 앞으로 가라는 반복적인 요청과 상대방의 지각에 대한 비판이 포함됩니다.

버스에서 용의자를 찾으려는 두 사람 사이에 대화가 오가는데, 그 중 한 사람은 버스에서 용의자를 찾고 있습니다.

다른 한 명은 빨간 머리와 수상한 가방을 든 여성으로, 용의자의 인상착의와 일치한다고 생각하는 경찰과 마주칩니다.

경찰관이 관련자 모두를 기소하겠다고 위협하면서 긴장이 고조되지만, 이 여성은 자신은 결백하며 버스를 자주 탔다고 주장합니다.

한 사람이 누군가와 마주쳐 구금되어 혼란스러움을 표현하며 잘못한 것이 없다고 주장하고 있습니다.

구금자는 이 사람이 똑똑하다고 비난하며 많은 일을 저질렀다고 주장합니다.

개인에게 문을 열어달라는 요청과 함께 잠재적 혐의에 대한 경고를 받으면서 상황이 확대됩니다.