클래식 음악 접근의 어려움

음악 크리에이터 손삽은 클래식 작곡가들의 삶을 탐구함으로써 사람들이 클래식 음악을 더 쉽고 재미있게 접할 수 있도록 하는 것을 목표로 합니다.

### 음악 크리에이터 손삽과 함께하는 클래식 음악의 이해
* 🎵 손쌉은 클래식을 전공한 음악 크리에이터로, 많은 사람들이 **클래식 음악을 더 쉽고 재미있게 접할 수 있도록** 하는 것을 목표로 하고 있습니다.
* 😕 클래식 음악은 길고 복잡한 곡 제목, 콘서트홀의 격식 있는 분위기, 수백 년의 역사를 지닌 **압도적인 분량** 때문에 멀고 어렵다고 느끼는 사람이 많습니다.
* 🎶 음악은 원시인 시대부터 존재해 왔으며 중세부터 **더욱 선명한 색채**를 드러내기 시작하여 **르네상스 시대에 완전히 꽃을 피웠습니다.**
* 🏛 화려하고 웅장한 스타일로 유명한 바로크 시대 이후에는 **보다 규칙적이고 표준화된 아름다움**을 추구한 고전 시대(1750~1820년경)가 이어졌습니다.
* 💕 클래식 시대의 뒤를 이은 낭만주의 시대는 **표현력과 독창성에 더 중점**을 두었으며, 현재 대중에게 가장 사랑받는 장르입니다.
* 👗 "패션에 너무 많은 색을 입으면 보기 좋지 않듯이 **바로크 시대에는 정교한 선율 위에 정교한 멜로디**가 더해져 듣는 사람을 피곤하게 만들었습니다."
* 🕰 연대를 외우는 데 너무 걱정하지 마세요. **인터넷에서 몇 년만 검색**하면 클래식 시대 이후의 시대를 찾을 수 있습니다.
* 🎵 "강의 후반부에는 **멘델스존, 슈베르트, 쇼팽, 리스트, 슈만, 브람스, 바그너** 등 낭만주의 시대 인물들이 소개될 예정입니다."

We have [MUSIC] Oh, yes, [APPLAUSE]. Woo, 5, uh, uh, [APPLAUSE], uh, uh. And my major is music, specifically in classical music. In today's era, where it's quite minor, I think it's not easy to approach. It's like a woman who came back from working in the fields, it's a lesson. [APPLAUSE] First, you need to know about the hardships of the second album. Uh, [APPLAUSE]. This is a question. When it comes to classical music, I started from the moment I was born, without missing a beat. It's a bit embarrassing to package it as the story of my life, but still, it's always been there, a presence, and an interesting fellow. Since people don't know much about it, I hope I can be a bridge and make them think, Ah, there's a person like this in between. Just like having a beer or a cup of tea at 2 o'clock in the afternoon, there are people like that. And, um, this...

Once I tried to blow it, it seemed okay, but I hope that at least one composer I like or one that I hope will emerge, so I prepared the lecture diligently. [APPLAUSE] [MUSIC] Ah, [MUSIC] Hello, I am music creator Son Ssap, who creates various contents to make classical music more approachable and fun for many people. From today, through Class 2, for 15 days, we will explore the very charming and secretive private lives of a total of 14 classical composers. When you think about it, classical music is often criticized. They have been active in a country far away, and even hundreds of years ago, they were people from the old days. So, it may be unfamiliar to some and may not be of interest at all. On the other hand, I have listened to classical music in my heyday, and even those who

We may not know much about who the composer was, and some people may only be familiar with the name and song titles. However, we all tend to be like that, right? It would be great if we could just fall in love at first sight and dive into love right away, but when we try to go on a blind date and receive a photo, it's like, Hmm, not really my type. It's a bit ambiguous. However, when we actually meet the person and hear about who they are, we sometimes find them quite nice, different from what we initially thought. Curiosity arises, and we want to get to know them more. So, the stories I have prepared this time are not rigid and serious, like what they did in a certain year, what the song titles are, what form, how many beats, and all those complicated and stiff stories. I will put those aside and properly introduce classical music to you.

I'm going to order it. I only knew the name, but this person had a behind story. Various contents like this will appear. Today, instead of introducing a composer directly, I'd like to talk about why we feel distant and awkward with classical music, why it feels difficult and stiff. Shall we talk about what classical music is, where it has changed from, and how it has evolved? I recently visited a subsidiary with a feeling of a 7th grader. I gave a lecture to children and teenagers about classical music based on a book I wrote. I still vividly remember the children's expressions when I first entered there. As soon as we entered about 10 places, it seemed like they were not in a good mood. They were called out for a special lecture on the weekend, so even from a distance, they seemed tired and just wanted to go home.

That was the expression, so I asked. I knew this was a classical music event, but when I asked, they couldn't answer properly. Recently, among the people here, when I asked who has been to a classical music concert, about half of the friends raised their hands. So I asked when they had been there. By asking this, it turned out that they had gone before the operation. If it was before the operation, that friend was probably in the first or second grade of elementary school at that time. They said they went because the teacher was performing at the concert. The next question I asked was if anyone had more than three classical music pieces in their music playlist the day before. No one did, and even the parents who were there observing didn't raise their hands. Lastly, I asked who has more than five classical music pieces in their playlist right now, and as soon as I said '5', their expression changed.

I asked if there was anyone who could immediately name three or more songs and composers that have become worse, and a friend mentioned Beethoven's Moonlight Sonata, Pathetique, and Passionata. He said he received this gift from me, and only one person could answer like that. From my perspective as a classical music major, I thought this could be the future of classical music in Korea. In fact, even though people of my age group don't prefer classical music much and don't listen to it much, at my university, even in general education classes, just by listening to music, the professor gives an A+. There may be some people who have heard it to some extent for some reason, or maybe because of music teachers who made them memorize the prelude of the middle and high school performance evaluations in the past. However, these days, music is passively enforced.

People rarely come across it because music applications are so well developed that when I listen to something and think Wow, this is so good, and listen to it for a long time, the app recommends similar things that I might like. As a result, my music preferences become clearer, and many people who don't want to explore unfamiliar worlds that seem boring are increasing. But nowadays, are people falling behind the trend just because their friends don't listen to music or don't listen to classical music? Recently, trot, which the younger generation doesn't particularly like, has been gaining immense popularity, and the enthusiasm for it is still strong. Not only that, but recently, retro fashion or things that were popular in the 2010s are regaining popularity. However, it seems difficult for classical music to take the main stage.

It's hard. What could be the reason? So one day, I kept thinking about why it's so hard to make a living with classical music. Why don't people succeed in classical music? Actually, when you dislike something, the biggest problem is you. When someone asks you, What is classical music? If you just become like this, you can't find the problem, so you can't make corrections. Fortunately, classical music has a few prominent reasons. The first is the long and complex song titles. Let me give you an example. Recently, BTS's first album cover, which topped the Billboard Hot 100, is very high-quality just by looking at it. The title is Butter, so you might think, Oh, the song is about butter. Since butter is not a food, it's not a food description. What is butter trying to describe? Thanks to such intuitive titles, it's easy to infer and understand the meaning.

The titles are clear and easy to remember. Everyone around the world can quickly understand and communicate with BTS's Butter screen. On the other hand, there are many difficulties in classical international titles. For example, when you hear Piano Sonata Op.5 Moon Ver. S. Lee 1st Movement, you may not even know what was said. Imagine you are standing in a cafe trying to order coffee, and you see a menu with titles flowing by that you really like. So, you want to ask the barista about it. You go up and ask, What is this classical music title? Then what happens next? It becomes a big deal. Not only is it confusing for the person who needs to read the title, but even if someone tells you the title of the piece, you may not remember what was said, making it difficult to understand. Also, you don't have to go to a cafe specifically. It's okay. What was the title of the piece I just mentioned?

Just a minute hasn't passed, and I can't remember. That's because the entry barrier is too high. Of course, since the late Joseon Dynasty, difficult terms like this have been more important than the song titles. So, many customers who accurately know the names are impressed. But you might wonder what it is. It's difficult, but actually, once you know it, it's not that difficult. Usually, the names of instruments like piano and violin come at the beginning of the song title. Then it means a piece played on that instrument. Next, following that pattern, things like sonatas, suites, and nocturnes come. After that, there's op. which stands for opera, indicating it's a published piece. So, in simple terms, if we talk about it in book terms, it means which book it is. It shows how many editions of sheet music have been published. And the letters written on the left side are No. This means the sheet music collection.

It's not about that, it's about writing down which number among those vowels it is. The first movement is a movement, like the first, second, like that, tell us which number movement it is in. So, as I mentioned earlier, in the piano sonata op.5, number three, the long title contains all the information about the piece. It's a piano piece, probably in sonata form, and it's the third piece in the fifth published collection, so it must be the first movement. But now, besides these unnamed pieces, if we talk about the Moonlight Sonata, it becomes somewhat familiar. The name for this is Moonlight Sonata, 1st movement, 2nd movement, like that. The Moonlight Sonata's original title is Piano Sonata op. 27, again this is number 14, not the first movement. You must feel a considerable distance, so this is why, like the Moonlight, there is no accurate title.

No, it has a big influence on ordinary people. The second reason why it is difficult to get close to classical music is probably because of the stiff appearance of the concert hall during the playtime. This is something that many people would probably empathize with. Nowadays, popular songs take up about 3 minutes, so you can easily switch to a different tempo and atmosphere by listening to various songs. For example, if you want to listen to a piece like Moonlight Sonata, it takes about an average of 40 minutes for the entire piece. Before closing the first movement, it's not just about casually giving it a try, but it feels like you need to make a huge mental preparation, gather your thoughts, and then listen. Also, classical concert halls are the culture enjoyed by the European nobility in the past, so there is a certain etiquette regarding attire.

To some extent, it is necessary. Well, these days, as long as you're not just dragging your slippers too much, casually dressing doesn't really lead to being kicked out or causing problems. Still, you feel like you should dress up a bit unnecessarily and come out, right? You also have to be careful about clapping at the wrong time for no reason, and if you try to stand out even a little, you feel like you might get caught, right? This kind of thing doesn't really suit me now, so it becomes a factor that distances me. Let's delve a little deeper into the third reason. If you are someone who has a slight liking for classics beyond the first and second reasons, you may want to know more, but then, so the third reason I picked is, but why is it a bit strange to say, but something a little more interesting than the first and second issues.

Even if you have it, you might be confused about what you should listen to or where to start. Who is this composer, and where does he come from, what does he do? Even if you try to approach it this way, many people are confused because there are hundreds of years' worth of data accumulated, not knowing where to start. That's why I'm here. After these 15 lectures, I hope you will have listened to various good music and picked up some good habits. You don't need to take notes, and you don't need to do any calculations. Just listen in the most relaxed state with interest. Where does music start? What is music, and how should we explain the origin of music? Just like when we talk about the origin of language and find it in ancient murals, many music scholars say that primitive people.

Music has existed as music itself since the days of hunting life. So when I just asked question 1, Where did music begin? It is accurate to say that it started from that time. Probably, there may not be many people who can answer, It started from here. However, after finding musical instruments or scores in ancient murals or artifacts, we can only speculate that music might have existed even at that time. But in fact, humans have carried music in their bodies since birth. The heartbeat in our bodies plays the rhythm from the moment we are born until we die. Going back further, we listen to the rhythm of our mother's heartbeat from the fetus stage and grow up. So, maybe even without looking for the origin of music, we might be in music itself. It is said that the time when music begins to show clearer colors is usually from the Middle Ages. Many people say this. This story is again like me, a major in [MUSIC].

People are all bored and tired, so they will just pass by. And then, including the history of music, art, architecture, all the history of arts walk together, so it was a time when art blossomed completely, naturally, during the Renaissance period. Of course, music also developed at an incredibly fast pace. This time, we will move on to the Baroque period. The reason for starting with the Baroque period as the first story is that it is the oldest period among the ones we will learn in the next 15 lectures. Also, composers like Bach and Handel, who we have heard of somewhere, emerged around this time. The culture of the Baroque period pursued magnificence not only in music but in all areas of art. They couldn't stand empty spaces, so they were filled to the maximum and loved things that moved brilliantly and flamboyantly.

The flamboyant Baroque era is fading, giving way to the Classical period. During this time, some of the most famous figures in music history emerge. Just hearing the names Mozart and Beethoven might put you at ease. If you think you haven't heard of them, then let me introduce one more person. He is the one who taught Mozart and Beethoven, and composed the Surprise Symphony - Haydn. I will introduce these three individuals. What color of clothes do you like? Today, I am wearing a sky blue outfit. Lately, I have been obsessed with sky blue, so when I opened my wardrobe, I found a lot of sky blue clothes. Anyway, everyone has different preferences for colors and tastes, but there is one immutable rule that resonates with people who are not familiar with fashion - don't mix too many colors. Today, I am wearing a sky blue dress, and also, I have a red one.

Because you like it, wear a red scarf, put on pink shoes, wear a yellow jacket, and then carry a green bag. If you do this, it becomes too much. No matter how pretty the colors are, if there are too many colors mixed, it won't look good. Just like that, in the Baroque era music, there are elaborate melodies on top of more elaborate melodies, and then even more elaborate accompaniments. This starts to make the listeners feel tired. So, people start to crave artificial beauty less and begin to desire more regular and standardized things. This is when classical music came into the picture. Classical music refers to the music era from around 1750 to 1820. I will mention years like this frequently, but don't worry too much. When I teach students, I often talk about this, but you don't have to memorize it unless you are taking a test.

Just search for a few years on the Internet and you will find the era that follows the classical era, which is the most beloved music era for Koreans, the Romantic era. If we interpret romantic, it means giving romance. Since we compared the classical era to clothes, let's talk about this now. Let's imagine a person next to us who is very neat, tidy, and elegantly dressed. Most people find stability in a consistent appearance rather than a carefree one. At first sight, you might think, Wow, that looks cool, but if that person wears the same clothes every day and sits next to you, you might feel a bit bored after a while. Therefore, the Romantic era breaks away from the objective and standardized framework of the classical era and starts from now, focusing more on expressiveness and originality.

Emphasizing subjectivity in musicians and highlighting romance as the name suggests, it touches people's emotions a lot. That's why it's currently the most loved genre by the public. In the latter part of the lecture, the Romantic era will be introduced, and you will encounter figures like Mendelssohn, Schubert, Chopin, Liszt, Schumann, Brahms, and Wagner. In addition, two impressionist composers and Russian composers will also be introduced. Because they are grouped in a different way, I will briefly touch upon them again when they appear. How was today? Suddenly a classical lecture came up, and you might already feel sleepy, right? Please say no. Instead, in the remaining time, I will help you get closer to classical music, so let's delve into the charm of composers in earnest.

Please come visit us next time for a chat in the car. That's all for the story I prepared today. I'm Song Sa-bee. Thank you for being with me.

[1강무료보기] 클래식이 어려운 당신에게ㅣ클래스e - 송사비의 《클래식 뮤직 드라마》

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EBSCulture (EBS 교양)

클래식 음악에 친근하고 재미있게 다가가기

음악 크리에이터 손쌉은 사람들이 클래식 음악을 더 쉽게 접하고 즐길 수 있도록 하는 것을 사명으로 삼고 있습니다.

그는 14명의 클래식 작곡가들의 사생활을 딱딱하지 않고 진지한 방식으로 탐구하여 호기심을 불러일으키고 클래식이라는 장르를 덜 어렵게 만드는 것을 목표로 합니다.

또한 손삽은 어릴 때부터 클래식에 대한 인식을 바꾸기 위해 어린이와 청소년을 대상으로 클래식 음악 강연을 해온 경험을 공유합니다.

젊은 세대와 부모를 포함한 많은 사람들이 재생 목록에 클래식 음악을 거의 또는 전혀 가지고 있지 않습니다.

애플리케이션을 통한 수동적인 음악 재생은 클래식 음악이 노출되기 어렵게 만듭니다.

클래식 음악의 복잡한 곡 제목과 직관적인 의미의 부재로 인해 사람들은 클래식 음악을 쉽게 접하기 어렵습니다.

클래식 음악 제목은 종종 길고 혼란스러워 청취자가 이해하고 기억하기 어렵게 만드는 장벽이 됩니다.

악기, 형식, 출판 세부 사항을 포함한 이러한 제목의 구조는 약간의 지식만 있으면 해독할 수 있습니다.

클래식 곡의 길이와 복잡성, 콘서트홀의 격식 있는 분위기 또한 많은 현대 청취자들에게 클래식 장르를 어렵게 느낄 수 있습니다.

음악의 기원: 시간을 거슬러 올라가는 여정

캐주얼한 옷차림과 눈에 띄는 것에 대한 두려움은 소외감을 조성할 수 있습니다.

고대 벽화부터 인체의 리듬에 이르기까지 음악의 기원이 복잡하기 때문에 음악은 매력적이고 접근하기 쉬운 예술 형식입니다.

음악이 보다 명확한 형태를 갖추기 시작한 시기로 중세를 강조하는 경우가 많지만, 음악의 진정한 기원은 인간 존재의 원초적인 리듬으로 거슬러 올라갈 수 있습니다.

바로크에서 클래식 시대로의 음악의 진화

바로크 시대는 정교하고 화려한 예술과 음악의 시대로 바흐, 헨델, 하이든과 같은 저명한 작곡가들이 이 시기에 등장했습니다.

하지만 바로크 시대의 정교한 멜로디와 반주는 결국 보다 규칙적이고 표준화된 음악에 대한 열망으로 이어져 클래식 시대로의 전환을 알렸습니다.

단순함과 우아함에 중점을 둔 클래식 음악은 1750년부터 1820년까지 모차르트와 베토벤과 같은 상징적인 인물들이 등장했습니다.

바로크 시대에서 고전 시대로의 전환은 보다 균형 잡히고 표준화된 작곡으로 음악적 선호도가 변화한 것을 반영합니다.

음악의 낭만주의 시대는 클래식 시대에서 벗어나 표현력과 독창성에 중점을 둔 시대입니다.

주관성을 강조하고 낭만을 강조하며 청취자에게 강한 감정을 불러일으킵니다.

이 시대에는 멘델스존, 슈베르트, 쇼팽, 리스트와 같은 유명한 작곡가들이 등장하여 대중에게 가장 사랑받는 장르가 되었습니다.