아리아나 그란데 예술, 감정, 그리고 음악의 마법

인생의 마법은 예술, 인간관계, 사랑하는 사람, 웃음, 자기 표현에 있으며, 특히 앨범의 콘셉트 스토리텔링을 통해 드러납니다.

### 아리아나 그란데의 "이터널 선샤인" 앨범: 예술, 감사, 자기 발견에서 마법 찾기
* 🎨 아리아나 그란데는 자신의 앨범 '이터널 선샤인'을 중요한 창작의 이정표로 삼으며 **"예술에는 많은 마법이 있다"**고 말합니다.
* 🙏 그란데는 **"생존할 수 있는 유일한 방법은 감사뿐"**이라고 믿으며 감사에 뿌리를 내리는 것이 중요하다고 강조합니다.
* '너에게 딱이야'는 **서로를 무조건적으로 받아들이고 응원하는 친구와 사랑하는 사람**에게 바치는 헌정곡입니다.
* 그란데는 토성의 귀환을 경험하면서 **삶의 다양한 영역에서 자신의 목소리에 더 귀를 기울여야 한다**는 것을 깨달았습니다.
* 🎤 그란데는 공연에서 **자신의 보컬 범위와 감정적 깊이를 보여줄 수 있는 순간**을 의도적으로 선택합니다.
* 🎞 이 앨범은 영화 '이터널 선샤인 오브 더 스팟리스 마인드'와의 연관성을 바탕으로 **무언가 잘못되었다는 것을 알지만 계속 남아서 알아내고 싶다는 주제**를 담고 있습니다.
* 🎵 그란데와 프로듀서 맥스 마틴이 **'더 보이 이즈 마인'**이라는 곡을 함께 작업하면서 두 사람은 **특별한 무언가**를 만들어낼 수 있을 것 같다는 생각이 들었습니다.
* 🎭 그란데는 뮤지컬 '위키드' 작업 경험을 통해 **음악에 대한 사랑을 재발견**하고 새로운 마음으로 앨범에 접근했습니다.

where is the magic in life for you in art in human Connection in the people I love in laughter and creating something you're proud of. Um there's so much today I'll say definitely I'll focus it on the art. There's so much magic in [Music] art it's so good to see you in person. I know look at this place this is like I don't know this is a this is some kind of magic dream skate overlooking New York. Did you ever think you'd spend as much time in New York when you were a kid. I love I mean being so close to theater when I used to come visit with my mom when I was little and my best friend Aaron we would see as many shows as we could every weekend we would go go to dinner in a show or a matina and then dinner in a show and it was just the best. I mean New York energy is so different you know they great memories as well going to spend time with your parents at an age where you get to

of enjoy that before your identity takes over and your becomes yours. It's kind of theirs, yeah. What's one of your favorite memories about the time you spent with your mom before you decided to go out on your own and ended up here? Does her support even from such a young age. I would she would fly me in from bokeh to audition for Broadway shows, and you know, I believed in it. So she supported me, and she never pushed me. She always was just kind of very supportive, and it's really happening right now. I mean, that must be extra specially sweet for you to have done so much work and completed this, you know, ERA with Wicked to be able to kind of trace it back to that moment. CU I'm sure she's super proud of everything that you've achieved, and the music is a big part of that, but for her to know that those trips to New York and those, those trips to Broadway and those Maes kind of LED you back to that place in a strange way. It's nice. It's strange, but

also, not. It feels so full circle. It feels like home. It feels like pieces of the puzzle that have always been there, finding their way back again, and just a nice balance of everything. It's beautiful. I hope you love it. I'm excited. Yeah, I can't wait to see it. I was excited to know you were taking part in doing it, and it kind of leads us to this era for you as the artist that we know or we knew. I feel like this album is a whole new step forward creatively for you, not just in terms of writing and producing the music, and the performance on it is incredible, but I get it, like I get the concept. Like I get it, thank you. And when I first listened to the album, I did that thing where I started to attribute all of these words and songs and ideas to the person, and then I was like, wait a minute, there's space and freedom to write within a concept, to push it even further. Is that kind of part of what motivated you to want to do it in a more

conceptual way. Yeah, I think so. I mean, that's very protective and observant and caring of you to say. I think there's such a freedom within art in general because you really can pull from anywhere. You can pull from your truth. You can pull from a concept. You can pull from a film, from a story you're telling, from a story about a relationship that a friend told you. Art is really, it can come from anywhere. Yeah, finding a home in Eternal Sunshine was a lovely, a lovely costume to wear, I think, for this project because when we hear songs now, I think, you know, we jump on the timelines and we start attributing all of these things, and then they don't become songs anymore. They become lines and headlines and lyrics and words, and they stop being, yeah, and they stop being songs. And it's almost become kind of treacherous, I think, to tell the truth music because it stops being about the music so quickly. I think it depends where you look though.

really do think that yes that is there, and that kind of noise has always been there in certain ways and different ways, and I think now with social media it's definitely more present or more available. Also, I do think that there are so many more people that are just able to listen to the music and take what they need from it, what they need to hear, what they need to heal, you know, what resonates with them. I think there are more people that are able to do that than the other, or maybe that's me being Eternal Sunshine ignorance is BL. No, you're not being idealistic at all, the access is far greater, but you sit it beautifully there as long as we take what we need from it, right? 'Cause it's no longer mine, really, it's for you. So right, if I send it to a friend and they have their own experience with it or they take from it a new meaning that I didn't even consider when writing it, that's, you know, the beauty of it, it's not really mine.

anymore. That's why I, that's when it clicked for me. And I was listening to it, and I thought, okay, you know, it starts with a question, and it ends with an answer, yes, right? The question is, how do I know if I'm in the right relationship, if I found the right person? And it ends with the most timeless piece of advice that anyone with any wisdom will give you, which is, don't forget about the little things. When did you realize that the album had that start, that question, but you also had the answer at the end? Honestly, I, I didn't realize it until I found the voice note. I knew Ordinary Things was the end of the album. I was like, this is the last song, but I wonder how I can put that button on it and have it land emotionally the way that I feel it can. And how can I answer the question? I always record my Nona when I'm with her because you never know what she's going to say, and she's the most hilarious person in the world.

um, I had this like 30-minute voice note of her and her friend Shirley talking, and um, it was just right smack in the middle of it, and I said, Oh my God, that's the answer. What did you hear within your laughter after? 'Cause your laughter is the last thing you hear on the record, yeah. And I wondered what that laugh means to you listening to it now. Well, my own laugh means to... I don't know, yeah. I... I don't know. I mean, I think it's a little bit of, Wow, our loved ones, our friends, and our family have the ability to instantly just sort of soothe and calm and simplify things that are so complicated and heavy at times, like they just have that instant ability sometimes. How much did kind of stepping away from the sort of day-to-day or project-to-project type routine of releasing a record, and I know you didn't necessarily to positions the way you had done in the past, but still it felt like you were moving with regularity and getting to

focus on on Wicked did it did it kind of help break it break the spell a little bit in terms of how you wanted to come back and start a record. Yeah, it definitely did. I mean, I tried to put music as far from my brain as humanly possible while I was making while I was working on Wicked, because I think in order to fully give myself to Glenda, I needed to really, really, really, really put that in a box in a big way. Everything from the way I sing to the way I speak, the way I everything kind of had to be different for a long time so that I could be fully present in it. It also really allowed for coming back to it to feel so much more special and so much more um enjoyable. Yeah, I learned a lot about H. I don't know. I I I had a very interesting relationship to music before I left for Wicked. I think that the time away was really healing, and I love I love it's so interesting because I came came back and I've loved every minute of

making this album, the videos, rehearsing, putting the roll out together, doing the photos, Sho doing like you know every single part of it more than ever before in my life. I've been able to be so much more present and enjoy it and savor it this time in a way that I don't think I was able to before. Must have felt almost like you were working in secret, which I don't think you. It must be hard to feel that way when your last arm was hugely successful. You came off a tour and everyone's still dialed into your frequency. What were those days like when you're working on your own? Because I know that you obviously worked with Max Mar with il, which is great, but I'm also really interested in that time you spent just on your own, just figuring out what the songs meant to you and how you were going to construct them and produce them. Um, well, it was very vulnerable. I mean, you know, I had this amazing trip in September that was just me and Max, and we started these Little Seedling ideas.

and we had a collection of Beats that we liked, and we wanted to expand upon. And he left me with like a big folder. I would come in and try things and FaceTime when I was done and be like, What do you think? Is it fine? I don't know. And um, you know, it was a very vulnerable but really fun experience. I don't know, it was really special. And then of course, Max came back, and we had so much fun, and Ilia joined as well, and Shintaro was sending Beats from afar too. So that's kind of how it started. I think the first two things that I wrote were End of the World and Eternal Sunshine. So those are both Sharos as well. And you knew the concept of that moment Eternal Sunshine came out because that was ultimately where it was going to lead. It was going to add up to the idea. I actually don't remember when it clicked to me that that was what was happening, but yeah, End of the World is such an interesting way to start the record.

I think like when, when is the world not coming to an end? I mean, at least that's how it feels for everybody, I'm sure. I mean, it's like we sure make a real habit of taking a look at even the good things in our life and looking just past them at what could possibly go wrong, you know? Do you catastrophize things as much as anybody else? You know, when it comes to life, I try not to catastrophize. I try to stay present. I think that's a lot of our work as human beings is to not live in the past or in the future but to try and just be right here and focus on the present, but of course, there's that hovering dread of what could happen. I think anxiety is just the byproduct of being alive. I actually think it's not something that you get afflicted with. I think it's something you learn to live with and or acknowledge. You have to learn to live. You have to learn what tools work for you and how to befriend.

it how to shine a light on all your little monsters and see them and look at them and say okay, I see you. How can we live together? How can we survive together? How can we get through what we need to get through and work on this together, you know? Do you still meditate? I do every day. What's the trick? What's the secret? Because there isn't, I mean, there really isn't struggle. It's one of the only things I can do. Everything else but that I just are you judging your performance? Are you saying, okay, my mind is jumping around, I'm not doing a good job myself at the, I'm serious, that's what most people say to me. They're like, okay, I don't think I'm good at it. I'm like, well, doing it at all is good at it. I mean, you really can't judge yourself. That's a, that's a good place toide just doing it is great. As David G would say, it's all a part of the

meditation. So, if a phone rings, if a dog barks, yeah, it was meant to happen. It's a part of the meditation. How do you apply it to your Creative Energy? Like, do you, when you're in a creative space, sometimes do songs come from that experience, I guess is my question. H, I don't think so. I think taking care of your brain as much as possible is always productive. I think it definitely helped me more with acting than it. I can see it being present when I'm doing music, but I think it helps everything. That's always like daunting is when you have been rehearsing something for months and months and months, and then you have that one scene, that one day, you know, and it's like, Oh, today is the day that has to be there. So, you can't get in your own way. And how do you judge yourself differently, if you judge yourself at all, from that position? Or at least approach it from a point of view of like trying of self-awareness, because with music, at the end of the day.

it's a very personal expression from within, but on set, I'd imagine if you're looking back at a take or the rushes, it must be hard not to look at yourself differently, at least judge your performance differently, and maybe be harder on yourself. In that sense, I try to not really do much of that with acting or with Wicked in particular because I mean I loved to see stuff because it was exciting to take a peek every now and then and see whatever, but I just didn't want to be too aware or conscious of, you know. I just kind of wanted to be living in there in her and not aware of what that looks like. Yeah, totally. And you have to trust the director and trust the people on set to so they go what they need, right? Yeah, totally. I think it's could be a little distracting. Was there a song that when you were working on this album that kind of presented itself with no delay and no obstruction whatsoever and it just fell out of the magic space for you?

something really beautiful about this writing process was that if it was taking too long, or if it became too mathematic, or if it became too we drilling this pre-chorus to get the right thing, we kind of would bounce around or try a different idea, or come back to it and whatever, and just do Melody passes until it just fell out. So I kind of do feel like everything fell into place that way with this album, just sort of organically. And um, 'cause it was fast, right? You did it quickly. It was fast, but it wasn't too fast. It was like 3 and a half months. I don't know how people leave the studio. I mean, I can imagine it's just such a rewarding place to be, that to actually execute on something must be one of the hardest things, like how they let, like letting it go, yeah, like I thought that must be where the emotion was coming from. I saw some of the videos of you playing it for people, and I could see how you were just trying to hold it.

together. But is that really I'm a cancer, it's all, it's all very emotional. Yeah, I can imagine that, that that was kind of part of what was going through. Will you tell me what was going through your mind when you f started to play it to people and the emotion caught you off guard? I think I've been doing this a long time with the same team from Republic Records, and I love them all so much. You know how many times I've called Monty and Wendy and Joe and Avery and to he and Roo and Donna to hear a record, to hear a song. It's been, this is my seventh time. It's just a long time to be doing this, and I think this is the first time that I have felt truly present for it and able to enjoy it the way that we were talking about before, um, so that was emotional, you know, it was just like a beautiful thing to see these fa of people that I love and have worked with and survived so much with for so long, and this is like our first time.

that we've done this, that it's felt this way for me, and also that I've been able to give my all to it this way, even to do like interviews and stuff. I don't really do that kind of stuff, but I'm like excited to. Does that make sense? I'm excited. I'm like proud and grateful, and I feel like, Oh my goodness, what a gift to be able to make this art. And for so long, I think I was in um hiding from it, hiding from my success or from what comes with it, and it was really impacting my ability to be able to love what I do for a long time. Oh my God, I don't want to get choked up, but but but but um, but yeah, it was really making me resentful, I think, for a little bit of time. And I don't feel that anymore, and I feel like I'm able to let go of that and enjoy it, and um, I feel really proud and grateful for that. Sorry to like go there, but it feels very different. I think that's why.

I was so choked up even just playing them the songs, 'cause I was like, Wow, this feels so different this time. What was really hard for us as fans was to see this thing that you were giving to us as a gift to your point feel like it was soundtracking these tough times. And I wouldn't have blamed you if you hadn't made a record for a long time. I think between the unpredictability of what we were just discussing versus also the game of it all was something that when I started making music when I was young, I didn't really expect that or sign up for that. Like I just loved music. I didn't know it had to be a game. I didn't know people were going to try to pit me against people I love. I didn't know that, you know, it was going to do such strange things. And I think I was very young and processing all of that. I kind of married that to music in my head for a while. I was like, Oh well.

can't continue doing that. I was talking to someone else who's made an album which is deeply rooted in um love lost. Very recently and I made the observation that even though the album goes through all of these different experiences of losing someone that you care about, it actually still was a love album to me because you know this feels very much like that. Yeah, it does to me. There's not to me, it doesn't just have to be an everlasting love story. Love is complicated, showcasing both sides of it is kind of what I tried my very best to balance in the music. Is you know this feeling can be true and this feeling can also be true simultaneously and I think that's something that we can ignore sometimes. You know what, what really helps you face it down as Saturn's return. I remember mine super well. Yeah, I do and it's a unique experience because it's almost a mathematically perfect equation but is unique to everybody else. It's like one of those things that is a planetary

alignment that really should put us all in some grid, but it's not like that. It's super individual, and it applies itself like magic to everyone's life. So, Ari, what was your Saturn return like? Oh my gosh, H, my Saturn return, what was it like? It was um, it was pretty chill, nothing changed, pretty uneventful, seriously, pretty uneventful, nothing. Yeah, I can't think of a thing that changed my life. You don't have to go into specifics, but from a personal level, how did you grow? In all seriousness, I think I kind of learned that I wasn't really listening to myself in a lot of areas where I could have been. It's like my nervous system was screaming at me to make certain changes for a long time, but I think I was kind of a person who wasn't listening. I don't know, I just made, I tried to listen to it more. It's an interesting time in your life because it applies itself to every aspect, and I think we make a lot of it about

relationships, and a lot of it about self, but no, it's about it. It's so much about your relationship to yourself. Yeah, that's mainly what I mean. Yeah, like for me, I was like, Oh, I'm not listening to myself. I need to start listening to my why am I doing this, you know? It's not protective to ignore these feelings. It's actually counterproductive. It's actually more harmful to not. Supernatural as a song, um, I love it. It's one of those moments that to me kind of comes out and is an immediate comforting and very moment. But I love the sentiment of Supernatural and the idea of what it means. Um, what is most magic about life to you? Where is the magic in life for you? In art, in human connection, in the people I love, in laughter, and creating something you're proud of. Um, there's so much. Today, I'll say, definitely, I'll focus it on the art. There's so much magic in art. Do you remind yourself more often than not throughout the day to appreciate where

you where you stand absolutely. I think the only possible way to survive is with gratitude, is to stay rooted in gratitude, and sort of be thankful every day for everything. It's so easily taken away, and it's so easy to get wrapped up in negativity or what, you know, challenges are here in the day. It's time to get into this kind of concept a little more because for me at least, because I love the film, and I recognize now that there was a thread from the movie, not just on a literal sense, but just the feeling of the movie that goes through the record. Um, what prompted you to link this album to the film if it is that literal? I think the movie is so beloved because so many people can relate to knowing that something isn't right but loving so much and wanting to stay and wanting to figure it out and that cycle that can happen in the film. I think that's why the film is so beloved, it's because so many people can relate to it, and I think it kind of fell into place.

that these songs had little tidbits of that theme. Do you remember the first time you watched it? By it I was really young. I'm a massive, I'm a massive Jim Carrey fan. I don't know if you know this, but my first screen name was Jim Carrey fan 42. So, so I was definitely very young. It's always been a favorite of mine. What's it been like meeting him? Thrilling. He is even better. You know how sometimes you get nervous to meet your people because you never know how they're going to be, and it's very scary. He couldn't be better. I love him so much more after meeting him and um, working with him on kidding. What's Max like? I just, I just want to made him. He is, he's like the biggest mystery, the most successful pop producer. He just turned into an absolute child. It's my favorite thing. What's not smart like? No, he's the best person in the world. I think who he is is who he is as a human being. And the fact that like

his success and all that he's done hasn't at all inflated his ego or his humanness. Like he's just the coolest guy ever, he's so nice. He's kind to every single person he encounters, and he's nurturing in the studio. Like how does he get the truth? Like how does he get those performances and that truth out, and yet make it feel like it's my life? He's very thoughtful when it comes to things like that, 'cause usually I'll go too far. Like I'll still way, I'll be way too, you know, I'll... I like to write like no one's ever going to hear it ever. And then sometimes I want to dilate back or change things or redo things, and um, he's got such an amazing ability to ride that balance and know what people need to hear and what I need to say too. Like he'll stand up for me, he'll be like, No, you deserve to say that. He also know that, like, Hey, you can say that in a way that's not going to distract people from.

the song 100% or he'll be like this is more aligned with the Ari you know what I mean it's he he's amazing um but we've we had some an amazing and therapeutic time together we walk to work together every day um you did yeah we'd walk in the Highline it was so fun long days too yeah and then we'd like have a glass of wine and sit there and listen to what we did and like laugh and it was just the best can you disappear here can you walk the Highline and just disappear literally anywhere in New York it's so funny it's really funny I just walk around if I have like a little Beanie or hat and I just I love it I need it like and that's what I loved about London so much was I got to do that every single weekend and it's nice to just be able to explore and roam around and it's New York everyone lives in New York everyone used to seeing people in New York I

think about true story, and what I love about that song is how playful it is and how it leans into the idea of like what is real and what's not. Like you called a true story, but I actually don't not sure if it is. It's an untrue story based on all untrue events. Exactly. It sets up the boy's mind. Obviously, it's kind of like, Okay, I'll play the bad girl now. Here's your Bad Girl Anthem. That's why they're in that order on the track list. The Boy Is Mine. I mean, the original is a classic. Yes, I love that song. I've always like wanted to reimagine that song in some kind of way. Why on this album? Where did I mean where were you when you came out with the idea of wan to add to that when I saw my fans' reaction to fantasize because they love it so much. So this one was an extension of that in a way. I think I kind of was like, This is a very bad idea. I think but there is a large

group of my fans that really they do Love a Bad Girl Anthem, and I this is kind of I think an elevated version of that. It's kind of Pop's job to some degree to be provocative, right, and to be an escape for in some way, but yeah, I thank you. I'm glad that you love it. Did you work on that one on your own as well, or did you work on no that was Max and I that was our first trip that was one of the first ideas that we started everything fell into place with that Tempo change though yeah, and we and when once he did that I was like oh this is a problem did it feel like the album was was really reality when when when when a song like that shows up it's like okay now I've got to find a bunch to go around it because it can't just sit on its own yeah the first that Max and I did together was don't want to break up again and the second we did together was The Boy Is Mine and once we had those we

kind of couldn't believe that they happened so quickly, and we were just kind of like, Oh, we might be making something, you know? When I listen to your vocals on the record, um, and obviously being a fan of you as a performer as well was a writer and a producer, um, and an artist in general, is, is that hearing you sing often, I get to explore with you your range and find where you can take it emotionally. It on this record, I feel like you and I don't if it was on purpose. I'd love to get your take on it, but the performance feels like you chose those moments very deliberately, and a lot of the time, you just L the writing kind of be at the forefront. Thank you. Yeah, that's actually super intentional. I love to be discerning with how much I want to go there vocally. It's one of my favorite things is to watch girls just like sling down and, and, but I, I kind of am very discerning with what moments I decide to go there. We can't be friends.

on that song, which is kind of like a sort of classic, sort of emotive dance floor moment where you're sort of dancing to something, and I can't quite tell whether it's sort of final or it's flirty. And maybe that's the point about that song, as to whether or not it's like, Well, we can't be friends, or it's like, We can never be friends. How does it fit into the concept over what it fits the concept? Um, I think in a different way for me than it does for most of my friends and most of my family and people who have listened, and they all sort of interpret it a little bit differently, which I love about that song because I think it can be applied to any kind of relationship, really. Again, especially when you see the video, I think you'll understand the importance of it, especially being the second single as well. The video that we made for We Can't Be Friends really, to me, is the album in a video. What do you value in friendship? What do you love about your

friends, the most, oh my gosh, just having such a space in them. Like, no matter what is happening, I feel so incredibly fine because of the people that I have in my life. I know they would never, you know what I mean, they're just the best. I love them, they're right about everything, they're brilliant. Um, what about you? For me, what I love about my friends, honesty, mhm, oh yeah, safety, holding up the mirror, they're the best at that. But they also have helped me understand the things I was most scared about myself and accept them over time, right? Like, to give me a place of honesty where I can talk to them, and then by verbalizing those fears, I'm not so afraid of them anymore. And I think that's kind of leads me to my favorite song on the record, which isn't perfect for you, because I think it's a beautiful tribute to that experience. It's one of my favorites as well. I think my top three are We Can Be Friends, Perfect for You, and Eternal.

Sunshine, but I think the most beautiful thing about, and perfect for you, is that we all know those people that we feel that way about, and that we are so lucky to have because they see it all, they hold space for it all, and it fits in their imperfections too. Like we're so lucky to have friends, family, loved ones that are just so accepting and real with us, no matter, no matter what. It's like such an important song, in my opinion, because we live, live in a time where everything is boiled down, but that song kind of demands room for nuance and humanness and complexity that we're so used to, like being stripped of these days. Will you find the time and have the energy to want to tour this album? I miss doing shows, I really do. If there's a chance to in between the wickeds or right after the wickeds, I will of course do my best to do it. I think I just have to sort of like my rel rel ship to music, I have to redefine my relationship to.

doing shows because I think that's something that suffered a lot as well because of my own trauma. My own sort of like lack of boundaries when I was younger. I think allowed for me to sort of have an anxious association with it. But I think that was where I was. So being here now and kind of I like look forward to it. I'm excited to redefine my relationship to touring into doing shows when time allows. But it is something that I'm like yes I would love to. I just don't know when. I appreciate you that this album to me is a really great example of what happens when somebody takes the concept of what's going on internally and goes beyond that and builds a world that's bigger than just your own personal experience. That's what concept are and um. I think you've done an incredible job. I appreciate you seeing this through. Thank you.

Ariana Grande: 'eternal sunshine', Wicked & Tour | Apple Music

Apple Music

예술과 인간의 연결에서 마법 찾기

예술의 마법과 뉴욕의 에너지에 초점을 맞춰 예술, 인간관계, 자랑스러워할 만한 무언가를 창조하는 것에서 인생의 마법을 발견합니다.

뉴욕 방문의 추억, 사랑하는 사람들의 지원, 아티스트로서의 창의적 진화를 중심으로 대화를 나누며 음악을 통한 표현의 자유와 새 앨범의 콘셉트에 대해 이야기합니다.

소셜 미디어가 음악 소비에 미치는 영향

소셜 미디어 덕분에 더 많은 사람들이 음악을 더 쉽게 접할 수 있게 되었고, 사람들은 노래에서 치유와 공감을 찾을 수 있게 되었습니다.

아티스트는 음악이 일단 공개되면 청취자 개개인의 경험이 된다는 것을 인정합니다.

다른 프로젝트에 집중하기 위해 음악을 잠시 쉬는 것은 힐링이 되었고, 다시 음악으로 돌아오는 것을 더욱 특별하고 즐겁게 만들었습니다.

테일러 스위프트의 취약성과 창작 과정

테일러 스위프트는 최신 앨범을 작업하면서 그 어느 때보다 자신의 존재감과 취약성을 느꼈습니다.

그녀는 다른 사람들과 협업하기 전에 혼자서 곡을 작업하는 특별하고 재미있는 경험을 했습니다.

이 가수는 현재에 집중하고 불안에 대처하는 것의 중요성을 강조하는 동시에 삶에서 명상의 가치를 강조합니다.

명상은 창의적인 에너지를 향상시키는 데 유용한 도구로 여겨지며 음악보다 연기에 더 유익한 것으로 알려져 있습니다.

명상은 공연 중에 너무 자의식을 갖지 않고 현재에 집중하는 데 도움이 됩니다.

앨범의 음악 작곡 과정은 창의력이 방해받지 않고 흘러가도록 하는 데 중점을 두고 유기적으로 진행되었습니다.

또한 아티스트는 오랜 시간 함께한 팀과 앨범을 공유하면서 깊은 감정적 교감을 경험했습니다.

아리아나 그란데와 음악의 진화하는 관계

아리아나 그란데는 자신의 성공에 대한 원망과 숨어 있던 감정을 극복하고 자신의 음악 경력에 대한 새로운 흥분과 감사를 표현합니다.

그녀는 사랑의 복잡성과 사랑의 다양한 면을 음악으로 표현하며 진정한 감정의 균형을 제시합니다.

그란데는 토성 귀환 기간 동안 별일 없었지만 개인적으로 큰 영향을 받은 경험에 대해 이야기하며 자신의 말에 귀 기울이는 법을 배웠다는 교훈을 강조합니다.

인생에서 자기 관계와 마술의 중요성

인터뷰 대상자는 자신과의 관계의 중요성과 자신의 감정에 귀 기울일 필요성을 강조합니다.

그들은 예술, 인간관계, 감사를 통해 삶의 마법을 발견하며 감사에 뿌리를 두는 것이 생존을 위해 매우 중요하다고 믿습니다.

인터뷰 대상자는 또한 자신의 앨범과 사랑받는 영화와의 연관성에 대해 이야기하며, 어려운 상황 속에서 해결책을 찾고자 하는 공감할 수 있는 주제를 강조합니다.

아리아나 그란데와의 대화 하이라이트

아리아나 그란데가 뉴욕과 런던에서의 치료적 산책에 대해 이야기하며 탐험의 즐거움을 강조합니다.

그녀는 자신의 노래 "The Boy Is Mine"에 담긴 영감과 음반에서 그녀의 보컬 연기의 의도적인 특성에 대해 설명합니다.

또한 그란데는 맥스 마틴과의 작업의 영향과 자신의 보컬 범위를 보여줄 시기를 선택한 의도적인 이유에 대해서도 이야기합니다.

"우린 친구가 될 수 없어"라는 노래의 영향력

"우린 친구가 될 수 없어"라는 노래는 해석의 여지가 있으며, 영상에서 볼 수 있듯이 다양한 유형의 관계에 적용될 수 있습니다.

아티스트는 우정에서 정직, 안전, 자기 수용을 중요하게 생각하며, 이는 노래에 영향을 미쳤습니다.

이 노래는 특히 뉘앙스와 복잡성이 종종 간과되는 시대에 자신을 받아들이고 진실한 친구와 사랑하는 사람을 갖는 것의 중요성을 반영합니다.