First, let's install the Nomad Sculpt app. Go to the App Store and install Nomad Sculpt. I have already purchased and deleted the app, so the price is not displayed right now. The price is 2,000 won.

Let's open it. Let's set it up first. I'm going to go into the interface and set it up. Let's set up the shortcuts below first.

I selected the selection lock perspective and the grid box remesh wireframe that is already selected. I'll set the maximum number of two boxes to five. The default color is Nomad. Let's change the color.

You can change it to the color you want by pressing like this. You can also change it by entering the color value. I set it to this color.

If you check the transparency of the panel right below, the panel will become transparent and the screen you are working on behind will be visible. If you click the invert on the top bar below it, the panel will appear on the left.

If you click on the invert on the side bar, the tool will move to the left. Currently, the interface is taking up a lot of space on the screen, so I will scroll down and adjust the interface scale.

Scale, I reduced the panel derby to the minimum, set the font scale to the default, and left the vertical spacing as is.

If you don't like this value, click Reset Style to return to the initial value and use the gesture. Would you like to change it?

In the case of gestures, sculpting is now possible with your fingers. The screen camera can also be adjusted with your hand like this. Also, two things are possible with a pen.

If I use the initially set value like this, when I want to sculpt, there are times when the camera moves. So, in the case of the camera, I turn off the stylus and mouse so that I can only move it with my finger.

I will turn off the finger and mouse so that I can use the sculpting stylus pen. And the gizmo allows all selections to be made with the stylus.

Okay, when I select the material, I'll change it to the stylus instead of my finger. And you can see the new finger here.

It says Rotate Light Source New Finger. You can rotate the light source like this with three fingers. Tool Radius Edit New Finger.

You can see it when you move the new finger up. If you move your new finger up, the tool radius will change.

I'll leave this setting as is. There is a pencil double tap, but I'm using this tip, so I'm leaving it at none. You can use the double tap like this to smoothly set the addition and subtraction of the mask gizmo, etc. if you're comfortable.

Please set it to. If you go into the binding, you will see the shortcut key.

In my case, I am writing with both hands, so I do not use a separate shortcut key. I will leave it as is.

And here is the function to extract the debug gif. Let's extract it. GIF export. When this happens, it rotates 360 degrees. The GIF Pro will be extracted.

You can save it like this. Done. And like other iPad apps, you can go back with two fingers and forward with three fingers. Now, let's look at them one by one starting from the top left.

Click on the Nomad icon to access the interface.

There is a zoom out button. If you press it, the surrounding interface disappears and only the object remains. If you click the Nomad icon again, you can return to the original.

And there is a turntable over here. You can make it rotate 360 degrees like you did before.

Turntable speed. You can also adjust the speed through adjustment. If you click on the website, forum, manual, etc., , the Nomad Sculpt site will appear.

If you click on Twitter, Instagram, Facebook, etc., the official SNS account will appear. And if you select the language here, Go to settings and go to Nomad.

You can also change the language in the app. I'll turn off the perspective. Next, if you listen to the project, you can save this object I'm making.

If you save it like this, a project will be created. You can see it created.

If you click New here, a new project will be created. If you press Open, you can go back to the previous one. First, I will save the newly created project. Let's open it.

You can see the old one and the new one. You can save a different name here. You can also change the name. I will save it as New. This will change the name.

And to open and add a stream, if you save it earlier or add a stream when loading a new one, the one you created earlier will be added.

First of all, you can delete this from here. In the case of opening an Impo or adding a stream, the file in this Nomad is used when loading a file in addition.

If you set up auto-save, even if the file bounces and flies away, it will be saved in the project through auto-save.

And when you export it to a 3D printer or move to another program on the desktop, here you can save it by saving the file through the export.

And the renderer saves it as an image file. If you select a transparent background, you can save it without a background like this.

If you remove the transparent background, you can save it with a PNG export background. You can do this. If you save the image here, it will be saved in the gallery as an image file.

Done. And if you select View Interface, it will be saved with the interface. Next, let's check the scene.

The sphere is shown in this scene. By adding, you can add sphere or add box. You can make it. You can delete it or provide welfare.

I'll delete it for now. Next, there is a wire at the bottom of the multi-resolution's top layer. When you press the wire, you can see pixels like this.

If you increase the multi-resolution's top layer, you can do more detailed work. It becomes possible. And if you press voxel reset, do you see it according to this number?

It rearranges the new pixels. Can you see the dynamic topology when you want to change only a part of the pixel value?

It works by changing the pixel value according to the adjusted value of only a part. In the case of decimation, the value is lowered by arranging it at a low percentage. In my case, the shape is determined to some extent and decimated to lower the capacity and prevent bounce.

However, before decimation, the shape is good. However, if you sculpt after lowering the decimate target triangle percentage, you can see that the particles are distorted and quiet.

It preserves the shape to some extent, changes the particles from squares to triangles, and increases the capacity. Lower it. If you do it too much, the triangle particles will get bigger and the shape will collapse, so it is important to keep it to a level where it doesn't collapse.

I set up auto-save earlier, so the auto-save window just popped up.

Next, I set the material. Change it to transparent. They say it makes the object brighter by adjusting the opacity, adjusting the reflection, or adding it.

I use it when expressing fire. Dithering is a method of making an object translucent by randomly discarding some pixels. In the case of the shielding tab, the existing MacLab PBR with lighting.

Set the surrounding environment. This object is affected by the surrounding environment. You can see that the settings here change differently depending on the surrounding environment.

Let me change the material to transparent for a moment. Set the exposure value to make it brighter. Through rotation, you set which part of the background will be affected by light. If you exclude the lighting, it is expressed flatly without lighting.

In the case of ID, it is expressed in a single color. I first worked with a cap and turned on PBR with lighting.

I'm adding a light source to make it realistic. And in the case of post-processing, I tend to give what I created a little more realism, such as reflections, evening lighting, and ambient occlusion.

It doesn't seem to have changed much because I haven't done much modeling right now, but I'll touch on it more later. Afterwards, you can see that it is further maximized.

At the end, I tend to touch this post-processing value. And in the case of the background, you can change the background behind it. You can change the color, and in the case of the environment, the surrounding environment that was set earlier.

In the case of this reference image, you can load the image you want through import. In the case of a camera, you can add a view, move it like this, and then return to the view you added earlier.

It is easy to create a huba during my lecture, so I detailed it in detail.

We've covered it, so please refer to it. And the perspective is a function that gives you the feeling of actually seeing with perspective.

I work with the perspective turned off at first, but then I turn it on to check it in between. It shows the view at the beginning and the beginning.

Snap view If there is an existing front, move it to the other side. And it's a function that turns it from right to left.

It's a flipping function. And in the case of speed, you can change the speed by rotating and panning the screen with your finger.

And there's a tool on this side. If you touch this tool on the far right once, it 's like this.

The tool window is displayed at once. Let's look at the tools on the right one by one.

Before that, I'll create a new scene, and I'll proceed with the cap so that it can be seen better.

Before explaining the tools, there is a bar on the left to adjust the tools. Radius, you can set it, and you can adjust the strength here. And symmetry is on by default, and subtraction is set by default.

Let's try it with the clay tool. In the case of the clay tool, it feels like attaching and cutting power with a square tool. Subtract now. Since it is set, cut it into a square.

Let's turn off the subtraction. Paste it in a square shape. If you turn off the symmetry, you can paste it like this on only one side.

There is a way to go back on this side. You can go back. Just like I told you about the fingers earlier, you can paste them like this on one side only.

If you touch three, you can go forward and with two, you can go back. In the case of a brush, you can use a round tool to add and subtract power.

You can add and remove power in a circle. You can turn on symmetry and subtract based on the symmetry line on both sides. In this case of symmetry, there is symmetry on this side.

Let's press it. Let's keep it simple. Since I pressed symmetry like this, symmetry is activated. Let's turn off symmetry.

It is deactivated. First, check it and set the axis of symmetry here. For now, it is red. The It's easy.

And right now, because this object is in the center, these three locals are the same. In the case of this axis, I'll explain it in more detail later.

And it's symmetrical based on the mirroring axis. Turn on axis symmetry and it's mirrored from left to right like this.

And the object In the case of flipping, it is not noticeable because it is currently symmetrical, but if you flip the object, it will flip to the other side. In the case of the initial symbol, the axis of symmetry was moved through brush editing.

Going back to the explanation of the tool, in the case of moving, there is a function to pull the object like this.

In the case of drag, let's compare a little more. Let's go to New and move only one side.

Do you see the difference between movement and drag? In the case of movement, it moves the entire area along with the surface. In the case of drag, it is a function that only drags the part I selected.

It's a move and drag, so I use drag when I move only a part, and move when I move the whole thing.

And in the case of the soft and smooth tool, I often use it, so there's also a function here that glues it into a square and organizes it gently.

After gently touching the object, I use it to refine it later. You can do this gently with the brush. In the case of relaxation, if you touch a part of it with clay and just turn off the reel and soften it, it will become softer.

If you turn on relax, go back. If you relax, if there is an angle, it will not be smooth.

Turn off relax and soften it. When I turn on relax and soften it, when I want to soften it only within a limited range, I tend to turn on this relax and soften it.

First, I softened it. And there is a work history on this side. I can go back to the beginning and go back to the part I want.

The thing to note is that after going back to the part you want and touching it, the work history behind it disappears, making it difficult to go back.

Even if you go back like this, it is difficult to go back to what was previously accumulated. So please be careful.

Let's start first. Let's go back. In the case of masks, you can think of it as a function that masks out parts you don't want to touch, like putting on masking tape.

Let's try clay. Even if you rub the masked part like this with the clay tool, no change occurs.

If you release the mask, that part will be released again so you can touch it. If you want to modify this tool in detail, you can go into the settings here.

You can release the tool through erasing, similar to the mask selector mask. This is a function that masks polygon lines, rectangles, ellipses, shapes like this.

A rectangular line is a line, a square is a square shape, and a lasso is a function that masks by picking it up with a lasso.

It will erase the mask. In the case of paint, it is a coloring function. There is a stroke painting on the left.

You can paint it in any color you want. Go back. You can color it by setting the radius like this. Finger is a function that rubs the paint with your finger.

You can spread the paint to the side like this. Let's go back to the beginning. In the case of zero sum, will it look flat?

It's a function that rubs it flat like this. So, in my case, I tend to use merge when I make something out of clay and then want to smooth it out a little.

In cases like cleaning up, I use flattening. I use it when I want to fill it out.

Even in the case of a planner, it is a flattening function. Can you see this friend a little more? It flattens it a little harder.

I almost never use this tool. Layers add layers like this. I don't really use this function either. But if you don't lift the pen like this, you can dig the whole thing like this and add it to the whole thing.

I go back and use wrinkles often. Ah, before that, I keep changing the direction like this. You can Adjust the direction of the screen with your finger, but you can also select the direction you're looking at through the direction box on this side.

You can also turn it like this. If you touch it once, it's straight to the right, right to the left, and right to the back, top, bottom, and you can set it like this on the front.

You can change the size, shape, and position of the Snap Cube by setting the display. Next, we will learn about the wrinkle tool.

In the case of wrinkles, it is a function that digs out wrinkles like this.

If you select Subtract, it makes wrinkles stick out like this. You can also make things like eyebrows like this, and I use it to adjust the shape in more detail.

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