Also, do we have to practice in such a simple and ignorant way? There must be people who think that this is highly inefficient. For those of you watching now, because of that, we are doing this. Hello, this is Tteutteurim. For those of you who have visited our streaming before, you may already know, but we have completely moved to a new studio. So, today's video is the first one shot here. I will also go back to the basics and try hard once again step by step. Among the most requested contents as we move forward, one was to create a tutorial for female viewers. Therefore, in the future, I will talk about very effective practice methods and principles for beginners as well as those who can already perform to some extent. So, today, I will start with the topic of scales.

Eating and scale are important. You need to practice the 12 keys. Although people say this, it is rare for them to explain why it is important and how it is made. So today, let's take a look at how scales are created, how to practice them effectively, and why they are important. Let's dive right into it. So, what is a scale? Simply put, it is the do-re-mi-fa-sol-la-si-do around a central note, describing the order of sounds made based on a specific rule. There are various rules like this, but the most basic scale we commonly deal with is the major scale. For example, starting from C, or from G, or even from D#, the structure of these scales is the same. Therefore, understanding scales means knowing why the sound of these scales is the way it is.

I can say that before knowing this, the first thing to do is to divide sounds and responses into 9 parts. For example, from 도 to 무, it's a response, but from 5 to 랭, it's the meaning of 온. Similarly, 탐나지 is a single image, so 40 is today. Ultimately, if there are two sounds, it's 온음. That's all you need to divide. At first, this is how it is. So, when you know this and try to direct it, the ultimate result is that you won't see spring in the 4th floor of the future, and the rest are all 아오늘인디. No matter what sound you focus on playing, if you make the third, fourth, seventh, and eighth sound a response, it becomes a major scale completion. So, don't think it's difficult. If you find the 도레이터쏠라 attempt that we commonly think of, it's completed. This is how it was conveyed. If you press 이상않음 in the middle, you can easily feel that something is strange.

Something feels strange, like something, um, like this. So, this is commonly referred to as practicing the 12 key scale. It means playing through the 12 scales created in this way. Haha, um, you play all 12 keys like this continuously. And from here, it's really important. By skipping one note at a time in this scale and stacking them up, we reach what we commonly know as the final completion. Then, the sequence becomes like this, starting from 11th diminished but this one, seventh, major, seventh, minor, seventh, to F5. In this way, we end up with 7 chords. Of course, if it ends here, there's nothing special. The real essential part starts from here. As we have learned so far, the 12 scales are all created in the same principle. Therefore, naturally, the codes produced here are all based on the same principle.

I skated on the drug consciousness here, and if the third chord was Nina Minor chord, then in the key, the third note is a bit easier, so if the third chord is a major chord, and the fourth chord is a minor chord, then of course they were made on the same principle, so if you're writing down chords made in this way in the key of 12, for example, if the third chord becomes major, and the fourth chord becomes minor, then just rewrite it. When we play the prelude, we can use this. For example, if there was a third in the C key, then it's the same when you go to a different key. Then, if you press the codes corresponding to 1, 2, 3, 4, 9 in that key, it's done. Just like that, even if it's an air conditioner code, it's made on the same principle. So, how should we practice Ace Carrier properly now?

I think I know my skills to some extent, but I'm not really good at utilizing them. The reason is simple. You all think you know the scale, but in reality, you just mistakenly think you know it. What Jazz Keller really means by not truly knowing something is being able to use it naturally in your performance. It's not about difficult techniques; it's about making it your own. Just having the basic notes like do-re-mi-fa-sol-la-si-do doesn't mean anything. Even if you just use the notes B, A, G, F#, E, D, C#, you can make such a performance. So, playing jazz or improvising like this ultimately comes down to how well you have good habits in your hands. It means constantly changing what you have been doing so far, requiring continuous effort and study. Let's not rush, but proceed slowly yet surely.

So, really thoroughly memorize this. For example, C major 7, C minor 7, C7, Cmaj7, Cm7, Cm7-5, Cm7-5, C7-5, C7-5, Cm7, Cm7-5, Cm7-5, C7-5, C7-5, Cm7, Cm7-5, Cm7-5, C7-5, C7-5, Cm7, Cm7-5, Cm7-5, C7-5, C7-5, Cm7, Cm7-5, Cm7-5, C7-5, C7-5, Cm7, Cm7-5, Cm7-5, C7-5, C7-5, Cm7, Cm7-5, Cm7-5, C7-5, C7-5, Cm7, Cm7-5, Cm7-5, C7-5, C7-5, Cm7, Cm7-5, Cm7-5, C7-5, C7-5, Cm7, Cm7-5, Cm7-5, C7-5, C7-5, Cm7, Cm7-5, Cm

Film this and upload it to your YouTube or case blog, then leave the address in the comments. In this way, all 12 keys are included in the full score on my channel's community tab. All the codes are written down, so please press them directly. Keep repeating until you are completely familiar with it, even waking up early to do it. Practice with a metronome to keep the correct rhythm. After uploading a video of this homework challenge, I will randomly select 5 people and send them a Pure Can scorebook from our music note channel. Check it out in fifth grade. Whether you play well or not, fast or slow, that's how it goes.

It's not about something important, but the most important thing is that you have done something with your own hands. So, we don't really judge your skills. Beginners should never worry and should give it a try. However, it might be a bit difficult to upload something wrong. No, should we practice something so simple and ignorant? Some of you may think that we haven't practiced enough. Among those of you watching right now, those who have seen my broadcasts and videos might wonder what I'm going to say. That's why I'm writing it down below. We are doing this right now. It's faster to practice the composition of ingredients in food, practice the wind instrument, and skillfully control the essence. Stay focused. It's not allowed. Even if it works out, the foundation will eventually catch up with you. Even if it's a little bit, you must firmly grasp the basics and practice as much as possible until it unconsciously emerges. Only then can you utilize it in actual performances.

This is completely separate from talent or anything else that anyone can do. Even if it's just one key a day, keep repeating it, and let's familiarize ourselves with the structure of codes that can come out on a small and large scale. I will continue to emphasize this in the future, but it is not just by watching the lectures that your skills improve; more than anything, it is crucial to practice what you see next. It is a very basic story, but at the same time, it is an easy part to neglect. If today was helpful, please come back, radio button coolness, and if you have any questions, feel free to leave a comment anytime. Then I will try to find them as the topics for the next videos. Thank you for watching today's video, and I've changed 10 things.

[박터틀] 스케일 완전정복! 음악의 시작과 끝이라고?! 피아노 독학 전 필수영상

재즈피아노와 작곡, 실용음악 전반에 대한 이야기를 소개하는 박터틀입니다!

[박터틀] 스케일 완전정복! 음악의 시작과 끝이라고?! 피아노 독학 전 필수영상

[박터틀] 스케일 완전정복! 음악의 시작과 끝이라고?! 피아노 독학 전 필수영상

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