Review of Netflix's In the Woods Where Nobody Is

In the Woods Where Nobody Is disappoints with slow pacing and unnecessary scenes, despite strong performances.

### In the Woods Where Nobody Is: A Disappointing Thriller with Strong Performances
* 🎬 The highly anticipated Netflix series "In the Woods Where Nobody Is" features commendable performances but suffers from **slow pacing and unnecessary scenes**, making it a **disappointing watch overall**.
* 🌲 The series, consisting of eight episodes, tells the story of Jeon Yeong-ha, a pension owner whose life **unravels due to the arrival of a suspicious guest**, leading to an engaging yet flawed narrative.
* 🔄 The dual timelines of the present and past perspectives, particularly that of Koo Sang-jun, create confusion as their **connection remains unexplained**, leaving viewers **questioning the plot's direction**.
* ⚖ The ending sees Yong-sang facing a **tragic fate** at the hands of his ex-husband, yet it concludes with a sense of **unresolved tension**, as the character Yu Sang-ah faces **legal repercussions** for her actions.
* 🌟 The actors' performances, especially by **Kim Yoon-seok and Go Min-si**, are a highlight, with Go's portrayal of the murderer standing out despite the overall narrative shortcomings.
* 🌅 Visually, the series is beautifully crafted, but this contrasts sharply with the **dark themes**, resulting in a **dissonance that diminishes the intended suspense** of the mystery thriller genre.
* 📉 Ultimately, the slow pacing and lack of plot clarity hinder the series' potential, making it **hard to recommend watching all episodes just to enjoy the latter half**.
* 💔 While there are moments of intrigue, the overall execution **leaves much to be desired**, and it is a **missed opportunity for a compelling drama**.

과연 어땠을까..? 여러분이 몰랐던 《아무도 없는 숲속에서》 결말 해석 포함 스토리 총정리 리뷰💥(스포주의)

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매드무비 : MadMovie

The series features good performances from the actors but suffers from slow pacing and unnecessary scenes, making it a disappointing drama.

The title's irony, with many guests present, adds to the confusion.

While the tension escalates towards the conclusion, the dual narrative structure and lack of explanation for the past storyline leave viewers questioning its relevance.

Overall, the drama is somewhat worth watching, but the first six episodes may not be necessary to enjoy the latter ones.

The drama follows Jeon Yeong-ha, the pension owner, whose life unravels after a mysterious woman, played by Go Min-si, becomes obsessed with the place.

As strange incidents occur, including a pizza stain and a suspicious departure, Jeon decides to cover up the situation.

Meanwhile, Gu Sang-jun, the motel owner played by Yoon Gye-sang, also faces his own turmoil after a murder at his motel, leading to a surprising connection between their stories.

Yong-sang finds himself in a difficult situation due to the joint operation of infants, leading to his father's hatred and eventual death at the hands of his ex-husband.

The story concludes with a call from Gu Ki-ge, hinting at unresolved issues.

The drama's strengths lie in the actors' performances, particularly Kim Yoon-seok's return and Go Min-si's standout role as the murderer, Yoo Sang-ha.

The Impact of Actors and Visuals in the Drama

Books play a trendy role in the narrative, with a moving scene of an uncle crying and Go Min-si's character struggling with anger and committing murder.

The visual beauty of the drama, with its warm colors, contrasts with the dark themes, making it hard to feel the intended discomfort.

The slow pacing and lack of plot information in the beginning keep viewers engaged, but the ominous music adds to the tension even in non-stressful situations.

The story struggles to progress, creating a loose feeling in the beginning.

The setting of a pension motel with intersecting stories is refreshing, but the lack of information and connection between the two stories leads to frustration.

The sudden shift to comedy during a serious moment undermines the thriller genre, and unnecessary past scenes disrupt the flow of the narrative.