A lot of the time, like, you grab this one guy by the head and you flip him around. I think that his head would just snap; it would do that. Yeah, so was he just like jumping to avoid that happening, or something? No. Oh, okay. What?

He wants to do you okay. Be a sensation enough to this. All right, so the idea is that comes in, I hit it; that one comes in, I strike that; two, I grip him nicer. One. The idea is this here; let's take a look at it when he's here.

No strikes, damage strikes. When I come to lock him here, it's a battle. The battle is: I want isolation. If I can isolate him, I can break him. He wants the opposite; he wants connection. If he can keep connected to his head, you won't break. So when I come

here, I push and pull; I twist the force of my body to snap his neck. What he does is he tucks—tucks his shoulders, he pushes his body together, tucks his chin—to try to keep his body together so that it doesn't isolate and that it doesn't

break. My promise to my students is: at first, I'm not going to do this to you, and as we progress, I'm going to do it as hard and as fast as I can so that you know that you can survive anything. So the idea is that when this

comes in, these come in, I'm really twisting and I'm really locking him and I'm really attempting to break his neck. That's what I'm doing, and he is doing everything to make sure that that doesn't happen. I do this to Terry; that's this; every one of my

Students, so some of you might be like, "Oh, I can't do this." But Terry's 53 and she does it, and she does it to other people. Anyone can do this. It's a very simplistic martial art. It had to be simplistic, why? Because they were

attempting to do this in combat. Anything that was a difficult move, anything that was hard to do, you couldn't do it; you couldn't pull it off in combat. If it was complicated, you would—you would die. They would kill you if it was a

complicated move, and someone could just have you, they would, and you wouldn't get to do it. Any questions? Thoughts?

If you are doing it for real, why arent people dieing?

sogobujutsu

Initial description of a neck-breaking technique and a student's reaction.

Description of a technique involving flipping someone by the head, raising concerns about neck injury.

Explanation of the technique's steps: hitting, striking, and gripping.

Focus shifts to the battle between isolation (breaking the opponent) and connection (preventing breakage).

The opponent's defensive strategy and the instructor's teaching method.

Description of the opponent's defensive actions: tucking shoulders, pushing body together, tucking chin.

Instructor's teaching approach: starting gently and increasing intensity to build resilience.

Demonstration of the technique's intensity and application to various students.

Simplicity and practicality of the martial art in combat.

Emphasis on the simplicity of the martial art for combat effectiveness.

Explanation of why complex moves are unsuitable for combat situations.

Conclusion with an invitation for questions.

If you are doing it for real, why arent people dieing?

Scripts