I'm a connected space, and then get what I need. I can maneuver his body in such a way that it is our structures doing it. I can bring him one way and then bring him another way. It is not this, however. It is not this swing, gather up and through. I'm coming up right through that structure. That doesn't say that I have to go anywhere in particular. I'm not even doing anything with this hand once you pay attention here. But right from here, I can get into the body. But what you want is you don't want him to comply willingly. I want him to hold on if he wants, let go of if he wants, punch at my face if he wants, kick at my groin if I have any part in what he's choosing to do as far as his mind said. If I at all tell him, Ok, now you're working a double wrist grab. I would like you to bring up a front kick from here to the groin. I'm going to stuff your... There's actually one of our forms, and we come

down very softly circular. When you're doing kata, that is fine, but when you start to have free play with the body, I can't have any input into what he's going to do, if I do at all, and it falsifies me. Okay, so now when the strike comes through, you don't, again, you don't want this to fall in. Now he's entered my space. If he uses his inguinal crease properly, it takes my structure. So here's what I'm asking you to do. Watch the alignment of your shoulder to your hip to your feet. And when I came through, it has to create this immediately. Now when you strike through, you have other options, but do not forget this hand. Don't get consumed here and assume that you have him, because by some unique work from the center, he can still block at that end, because it's upward. What we're looking for, very little time, step to step. What's that feel like? This, there's my arch. Now we bite the smack. I can strike to the ribs. I could come here and choose.

to manipulate this other son, huh? See, now that gives me a different kind of arts. Now, I must caution you, make sure that you keep a curve on the arm to keep connected to the rest of your structure when you turn. This is very important. Do not segregate your movements. Do not stay there. Do not move the arm independent of the body. It all moves together. I always say act like someone's turning this way. Now, we have this here, and I would love the people to throw that there, through there, because we trace it. Now, we got all kinds of stuff we'll do for there. We're not looking to be fancy today. And then Tai Chi doesn't just drop. Okay, that's it. Then we do just the opposite. We take the Tom's together. You don't. And what we don't want to do is get this going. Okay, it's not what we're looking to do because I lose. I get this associate. That's fine too. I mean, I can do that and coming here and here back to the same place. But if you don't have to.

disconnect from that, and you can come here and get this, then you're fine. This strike here isn't just a smack. I want to get a weight drop now with this arm here. I'm not merely whipping this armor and moving within the inguinal crease. I create what do you feel, what makes you go to your stomach. Let's do it again, let's start again. It's easier live. What gets you there, moving you forward? Yes, almost like my whole body is falling, is that plane, as opposed to this is going back and the rest of my body. Here's something that you guys can, you don't want to get caught up as you come. Don't let the other go up because then you're going to feel a need to rise above it. And what's the most people's result to do that? There by telling you that and making a counter very simple. So what I do is I come through one touch, one motion. Suppose I don't want to do this, our baton. They may see a difference. Does body turn? Ok, just reconnect with

Salahuddin Muhammad Tips and Trick for Self Defense

Scripts